The Racialization of Drug Fakery and Pharmaceutical Markets

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES Journal of African Cultural Studies Pub Date : 2021-07-03 DOI:10.1080/13696815.2021.1917343
Kristin Peterson
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引用次数: 3

Abstract

ABSTRACT In this article, I show that fake drugs circulate widely in markets that chronically experience non-equilibrium. Moreover, those who manufacture, buy, and sell low priced drugs for African markets are negotiating chronic market volatility and downward pricing pressures that are transnational in scope. I argue that global policy experts; state, regional, and global regulation agencies and organizations; and international NGOs that have stakes in eradicating fake drugs falsely assume that pharmaceutical traders work within market equilibrium conditions. These assumptions are racialized because they hold actors and markets accountable to a market equilibrium and rational actor standard that are characterized by a European imagination that came into being at the height of trans-Atlantic slavery and capitalist formation. Yorùbá and Ìgbò non-equilibrium theories of the market, in contrast, have characterized markets as volatile and precarious since the 15th century arrival of the Portuguese to West Africa. The implications are that preconceived ideas of equilibrium de facto racialize those who have little opportunity in a deeply precarious system – they are labeled as “fraudsters” rather than seen as rational actors working under conditions of extreme market volatility.
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假药和药品市场的种族化
在本文中,我证明了假药在长期经历非均衡的市场中广泛流通。此外,那些为非洲市场生产、购买和销售低价药品的人正在与长期的市场波动和跨国范围的价格下行压力进行谈判。我认为全球政策专家;国家、地区和全球监管机构和组织;以及与根除假药有利害关系的国际非政府组织错误地认为制药商在市场均衡条件下运作。这些假设是种族化的,因为他们认为参与者和市场对市场均衡和理性参与者标准负责,这些标准以欧洲人的想象为特征,这些想象是在跨大西洋奴隶制和资本主义形成的高峰时期形成的。相反,Yorùbá和Ìgbò市场的非均衡理论,自15世纪葡萄牙人到达西非以来,将市场描述为不稳定和不稳定的。这意味着,先入为主的均衡观念实际上把那些在极不稳定的体系中几乎没有机会的人种族化了——他们被贴上“骗子”的标签,而不是被视为在极端市场波动条件下工作的理性行为者。
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来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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