{"title":"Being Global with Joyce in Transition: A Report on the XV James Joyce Italian Foundation Conference in Rome, \"Joys in Transition,\" 1-3 February 2023","authors":"Mina M. Đurić,","doi":"10.1353/jjq.2023.a905383","DOIUrl":null,"url":null,"abstract":"In conversation, Roche explained that she initially intended to choreograph only a “Penelope” dance, so that is the reason for the show’s title. Siobhan Burke, the New York Times reviewer, praised this dance as “lush . . . lyrical . . . poetic.”2 The Arts Review of Dublin noted that, with Yes and Yes, Roche “plays with the choreographic possibilities of movement (in much the same way that) Joyce did with words,” adding that attending this performance is “a wonderful dreamlike experience.”3 And yes, I’d say yes, it truly was.","PeriodicalId":42413,"journal":{"name":"JAMES JOYCE QUARTERLY","volume":"60 1","pages":"256 - 259"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JAMES JOYCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jjq.2023.a905383","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
Abstract
In conversation, Roche explained that she initially intended to choreograph only a “Penelope” dance, so that is the reason for the show’s title. Siobhan Burke, the New York Times reviewer, praised this dance as “lush . . . lyrical . . . poetic.”2 The Arts Review of Dublin noted that, with Yes and Yes, Roche “plays with the choreographic possibilities of movement (in much the same way that) Joyce did with words,” adding that attending this performance is “a wonderful dreamlike experience.”3 And yes, I’d say yes, it truly was.
在谈话中，罗奇解释说，她最初只是打算编排一个“佩内洛普”的舞蹈，所以这就是节目名称的原因。《纽约时报》评论员西沃恩·伯克称赞这支舞“华丽……抒情的……富有诗意。2《都柏林艺术评论》(The Arts Review of Dublin)指出，罗奇在《是》和《是》中“运用动作编排的可能性(与乔伊斯运用文字的方式大致相同)”，并补充说，观看这场演出是“一次美妙的梦幻体验”。是的，我要说的是，确实如此。
期刊介绍：
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor"s "Raising the Wind" comments.
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