DIRETRIZES PARA AUTORES

Genero Pub Date : 2019-01-17 DOI:10.22409/rg.v19i2.1262
João Bosco Hora Góis
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Abstract

Is there a border between democracy and dictatorship? From the perspective of literary studies, this question can perhaps be answered most conclusively on the basis of the working hypothesis on which this paper is based: there are not one, but thousands of boundaries that separate a democratic system of government (of the Western European type) from authoritarian, dictatorial systems and regimes. We currently cross these borders daily, and the literatures of the world are vital for our survival today precisely because they sensually remind us how precarious the certainties are to which we tend to entrust ourselves for the duration of certain periods of time. They show us not only retrospectively, but above all prospectively, to what extent it is necessary to be attentive when we move in the border area and even more in the area of tension between democracy and dictatorship. In the following, this thesis will be exemplified by the examples of Hans Robert Jauss, Michel Houellebecq and Cécile Wajsbrot.
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民主和独裁之间有界限吗?从文学研究的角度来看,这个问题也许可以在本文所基于的工作假设的基础上得到最确切的回答:(西欧类型的)民主政府制度与独裁、独裁制度和政权之间没有一个,而是数千个界限。我们目前每天都在跨越这些边界,世界文学对我们今天的生存至关重要,正是因为它们从感官上提醒我们,在特定的时间段内,我们倾向于托付给自己的确定性是多么不稳定。它们不仅回顾性地,而且最重要的是前瞻性地向我们表明,当我们在边境地区行动时,在多大程度上需要注意,甚至在民主和独裁之间的紧张地区更需要注意。下面,本文将以汉斯·罗伯特·尤斯、米歇尔·胡埃勒贝克和塞西尔·瓦伊斯布罗特为例进行说明。
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30 weeks
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