'Male gaze' in the mini-series 'Queen's Gambit'

Genero Pub Date : 2021-01-01 DOI:10.5937/genero2125037v
Jelena Veselinović
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Abstract

The patriarchal system is based on the idea of phallocentrism, in which phallus, or male sexual organ, represents the central element in the organization of society. In such a system, a woman is perceived through her lack of phallus by which she symbolizes the threat of castration, or in other words, castration anxiety. The gender difference, defined by this deficiency, is used to establish a system in which a woman is subordinate to men. As such, a woman is the subject of a controlling "male gaze." Using the theoretical framework set by Laura Mulvey in her essay "Visual Pleasure and Narrative Film," this paper shows how the "male gaze" influences the construction of female characters in contemporary cinematography. The example used for this analysis is the series Queen's Gambit, which was well received by the feminist audience, despite the fact that the main character was adjusted on various levels to serve the requirements of the "male gaze." Additionally, part of the paper will analyze harmful stereotypes through which racial and sexual minorities are presented in the series and point out how the film industry shapes social norms and lifestyles through the normalization of such models.
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迷你剧《女王的开局》中的“男性凝视”
男权制度是建立在男权中心观念的基础上的,在男权中心观念中,男性的性器官是社会组织的中心元素。在这样的体系中,女性通过缺少阳具而被认为是阉割的威胁,或者换句话说,阉割焦虑。由这一缺陷所定义的性别差异,被用来建立一种妇女从属于男子的制度。因此,女性是“男性凝视”的控制对象。本文运用劳拉·穆尔维在《视觉愉悦与叙事电影》一文中提出的理论框架,探讨了“男性凝视”如何影响当代电影中女性角色的建构。这个分析使用的例子是《皇后的Gambit》系列,它受到女权主义观众的欢迎,尽管事实上主角在各个层面上进行了调整,以满足“男性目光”的要求。此外,论文的一部分将分析通过种族和性少数群体在系列中呈现的有害刻板印象,并指出电影行业如何通过这种模式的正常化来塑造社会规范和生活方式。
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