Of Loss, Belonging and Remembrance: Indian Poetic Responses to World War I

IF 0.5 3区 社会学 Q3 AREA STUDIES South Asia-Journal of South Asian Studies Pub Date : 2023-03-04 DOI:10.1080/00856401.2023.2178754
A. Banerjee
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Abstract

Abstract This article undertakes a critical exploration of the Indian poetic responses to World War I. The most striking feature of this poetry was its uniquely diverse nature, which reflected in full the multicultural character of the Indian army at the Western Front and elsewhere in the world. The immense diversity of Indian soldiers triggered a wide range of emotions and ideas from combatants and civilians alike. While we have established writers like Rabindranath Tagore and Sarojini Naidu on the one hand, we have a poetic miscellany of lesser known creative voices on the other, some even documenting their first-hand experiences of the War. Poems, lyrical propaganda, folk-songs, epistolary verse, elegies and even verses accompanying posters make up the various modes of literary circulation during this time of unprecedented global turmoil. Making use of both original compositions and various other works in translation, this article argues that most of this poetic evidence often serves as crucial testimonies, chronicling not only the major historical events of the War years, but also assiduously recording the wide gamut of feelings and emotions associated with the conflict.
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失落、归属与纪念:印度对第一次世界大战的诗意回应
本文对印度诗歌对第一次世界大战的反应进行了批判性的探讨,其最显著的特点是其独特的多样性,这充分反映了印度军队在西线和世界其他地方的多元文化特征。印度士兵的巨大多样性引发了战斗人员和平民的广泛情绪和想法。一方面,我们有泰戈尔(Rabindranath Tagore)和奈杜(Sarojini Naidu)这样的知名作家,另一方面,我们也有一些不太知名的创作声音,其中一些甚至记录了他们对战争的第一手经历。在这个前所未有的全球动荡时期,诗歌、抒情宣传、民歌、书信体诗、挽歌,甚至附在海报上的诗,构成了文学流通的各种模式。本文利用原著和其他翻译作品,认为这些诗歌证据往往作为重要的证词,不仅记录了战争年代的重大历史事件,而且还努力记录了与冲突有关的广泛的感情和情绪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
11.10%
发文量
75
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