Polytheism and Monotheism in Jan Assmann’s Concept of Mosaic Distinction

IF 0.2 0 RELIGION Nova Prisutnost Pub Date : 2022-11-16 DOI:10.31192/np.20.3.3
Ivica Musa, Ivan Šestak
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Abstract

Assmann’s crucial concept in his theory of cultural memory is »the Mosaic Distinction« (die Mosaische Unterscheidung). It is the starting point of a new revolutionary distinction – between truth and falsehood in religion, and the entire spectrum of consequences as a result thereof – a break with all earlier traditions, and the process of formation of a new type of religion that stands apart from other religions and spheres of culture such as politics, law and economics. This revolutionary monotheism has replaced the ancient polytheistic world in which Assmann found the dynamic and creative system that has contributed in many elements to the rise of a new monotheistic synthesis rooted in Mosaic distinction. The purpose of this article is to offer a partial insight into this rather forgotten, »buried« world that Assmann has vivified with his erudition, presenting some important achievements of Ancient Egypt firmly incorporated into our civilisation.
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阿斯曼马赛克区别概念中的多神论和一神论
阿斯曼在其文化记忆理论中的关键概念是“马赛克区别”(die Mosaische Unterscheidung)。它是一种新的革命性区分的起点——宗教中的真与假及其后果的整个范围——打破了所有早期传统,并形成了一种与政治、法律和经济等其他宗教和文化领域不同的新型宗教。这种革命性的一神教已经取代了古老的多神教世界,在这个世界中,Assmann发现了一个充满活力和创造性的系统,该系统在许多方面为植根于马赛克差异的新一神教综合的兴起做出了贡献。这篇文章的目的是对这个被遗忘的、被埋葬的世界提供一个部分的见解,阿斯曼用他的博学生动地描绘了这个世界,展示了古埃及的一些重要成就,这些成就牢牢地融入了我们的文明。
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来源期刊
Nova Prisutnost
Nova Prisutnost RELIGION-
CiteScore
0.40
自引率
50.00%
发文量
29
审稿时长
8 weeks
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