Hymn to the Muses: To Greet the Return of the Gods, Part 1 (Lecture 2, Book of Ours)

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI:10.1215/01903659-9789878
N. O. Brown
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Abstract

This lecture, a tribute to the Muses, was delivered by Norman O. Brown for his class of 1971, “To Greet the Return of the Gods.” It is spoken with the preacher's rhythmic diction and charmed hieratic voice, and is transcribed here to include Brown's intentional pauses, halting rhythms, repetitions, asides, and idiosyncratic quotes. As in the Orphic tradition, the professor becomes what he's professing: Brown teaches us to sing a love song according to the Muses, finding the meaning in the singing and in the etymology of the names of the divine sisters. Brown's nearly liturgical list of names is propelled by devotion to the feminine and to language, above all to Kalliopê, chiefest of Muses. The gift of the Muses to mortals, Brown argues, is a poetical politics essential in the ongoing iron age described by Hesiod. Poetry as prayer—yet the Muses make it new, “so everything can shine again.”
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献给缪斯的赞美诗:迎接众神的归来,第一部分(第二讲,《我们的书》)
这是诺曼·o·布朗在1971年为他的班级做的题为“迎接神的回归”的演讲,是对缪斯女神的致敬。它是用传教士有节奏的措辞和迷人的僧侣般的声音说出来的,在这里被转录为包括布朗有意的停顿,停顿的节奏,重复,旁白和特殊的引用。就像在俄耳甫斯传统中,教授变成了他所宣称的:布朗教我们根据缪斯女神唱一首情歌,从歌声和神姐妹名字的词源中找到意义。布朗对女性和语言的热爱,尤其是对Kalliopê——缪斯女神的崇拜,推动了他近乎仪式式的名字列表。布朗认为,缪斯女神给凡人的礼物,是赫西奥德所描述的持续铁器时代必不可少的诗意政治。诗歌是祈祷——然而缪斯让它焕然一新,“这样一切都能再次闪耀。”
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来源期刊
CiteScore
0.20
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0.00%
发文量
24
期刊介绍: Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.
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