La notation musicale dans le papyrus P. CtYBR inv. 4510 : relecture et nouvelles interprétations

Q1 Arts and Humanities Greek and Roman Musical Studies Pub Date : 2023-05-09 DOI:10.1163/22129758-12341391
L. Capron
{"title":"La notation musicale dans le papyrus P. CtYBR inv. 4510 : relecture et nouvelles interprétations","authors":"L. Capron","doi":"10.1163/22129758-12341391","DOIUrl":null,"url":null,"abstract":"\nAfter a new reading of P.CtYBR inv. 4510, combined with a musical analysis, it is possible to detect the presence of three musical pieces, written respectively in diatonic scales of hypo-iastian, iastian and hyper-iastian. These three melodies are notably different in their composition. The first one shows a large variety of rhythmical figures, uses chromatic degrees and metaboles, when the two others seem to be written in a soberer way. In particular, the hypothesis of a new scale, created by the componer for this first piece only, is proposed here.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek and Roman Musical Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22129758-12341391","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

After a new reading of P.CtYBR inv. 4510, combined with a musical analysis, it is possible to detect the presence of three musical pieces, written respectively in diatonic scales of hypo-iastian, iastian and hyper-iastian. These three melodies are notably different in their composition. The first one shows a large variety of rhythmical figures, uses chromatic degrees and metaboles, when the two others seem to be written in a soberer way. In particular, the hypothesis of a new scale, created by the componer for this first piece only, is proposed here.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
莎草纸上的乐谱P. CtYBR inv. 4510:重新阅读和新的解释
在重新阅读P.CtYBR inv. 4510后,结合音乐分析,可以发现三个音乐作品的存在,分别以低iastian, iastian和高iastian的全音阶写成。这三个旋律在组成上有明显的不同。第一个展示了大量的节奏数字,使用了音阶和代谢物,而其他两个似乎是以一种冷静的方式写的。特别地,这里提出了一个新尺度的假设,这个假设是由组件为第一个部分创建的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Greek and Roman Musical Studies
Greek and Roman Musical Studies Arts and Humanities-Classics
CiteScore
1.70
自引率
0.00%
发文量
23
期刊最新文献
Greek and Latin Texts on the Harp and Similar Instruments in Byzantine Times Echoing the Eleusinian World: Eleusinian Topoi and Sounds in Pindaric Epinician Poetry Pompē, Peplos, Poikilia: Picturing the Panathenaia on an Athenian Amphora Aspects of Roman Dance Culture. Religious Cults, Theatrical Entertainments, Metaphorical Appropriations, edited by Schlapbach, K. Texts, Bodies, Images, Movement
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1