Sampling global roundtables and Chinese cinephilic communities in the pandemic era

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION Journal of Chinese Cinemas Pub Date : 2021-09-02 DOI:10.1080/17508061.2021.1999965
Timmy Chih-ting Chen, B. He
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Abstract

Abstract In the era of pandemic cinephilia, when social distancing, lockdown, isolation, quarantine, and online platforms have become the new normal, cinephiles’ collective longing for community, communication, connection, and contact through the love of cinema has become both dangerous and precious. Three parts constitute the introduction, which is situated in a wide, transnational and translocal context. The first part samples global roundtables that have arisen from pandemic cinephilia. The second part maps and samples global Chinese cinephilic communities—including Film 101 Workshop, Rear Window, Deep Focus, O Cinephiles, and DIRECTUBE—since the digital turn in the 1990s. The aim is to problematize the Deep Focus collective by examining its complex relationship with both capital and censorship. Now that the moment has arrived when Deep Focus is temporarily shut down and when various kinds of voices are being silenced, it is the right time for us to be vocal and multivocal by beginning with `A Deep Focus on Global Chinese Cinephilia’. The third part gives a roadmap for this special issue on global Chinese cinephilia.
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采样全球圆桌会议和疫情时代的中国电影爱好者社区
摘要在新冠疫情的电影爱好者时代,当社交距离、封锁、隔离、隔离和在线平台成为新常态时,电影爱好者通过对电影的热爱对社区、沟通、联系和接触的集体渴望变得既危险又珍贵。引言分为三个部分,内容涉及广泛的、跨国的和跨地域的。第一部分是由流行性血友病引起的全球圆桌会议样本。第二部分绘制并采样了自20世纪90年代数字化转型以来的全球华人电影爱好者社区,包括Film 101 Workshop、Rear Window、Deep Focus、O Cinefiless和DIRECTUBE。其目的是通过研究Deep Focus集体与资本和审查制度的复杂关系来解决问题。现在,深度聚焦暂时关闭,各种声音被噤声的时刻已经到来,现在是我们发声和多元发声的正确时机,从“深度聚焦全球华语电影”开始。第三部分给出了本期全球华人影迷专刊的路线图。
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来源期刊
Journal of Chinese Cinemas
Journal of Chinese Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
16
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