{"title":"Breathing","authors":"Luk Van den Dries","doi":"10.1353/sub.2023.a900525","DOIUrl":null,"url":null,"abstract":"This text, “Breathing,” was conceived for the book From Act to Acting: Fabre’s Guidelines for the Performer of the 21st Century (2021). The book was conceived and designed by Jan Fabre, author, theatre artist, and visual artist, active since the 1970s. The book was written by Luk Van den Dries, dramaturg and theatre researcher of the University of Antwerp, in tight collaboration with Jan Fabre and the three most important performers/teachers of the Belgian theatre company, Troubleyn (Annabelle Chambon, Cédric Charron, and Ivana Jozič). The book sheds new light on the physical, mental, and vocal training of the performer and furthermore gives insight into Fabre’s revolutionary thoughts on contemporary theatre.1","PeriodicalId":45831,"journal":{"name":"SUB-STANCE","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SUB-STANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sub.2023.a900525","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
This text, “Breathing,” was conceived for the book From Act to Acting: Fabre’s Guidelines for the Performer of the 21st Century (2021). The book was conceived and designed by Jan Fabre, author, theatre artist, and visual artist, active since the 1970s. The book was written by Luk Van den Dries, dramaturg and theatre researcher of the University of Antwerp, in tight collaboration with Jan Fabre and the three most important performers/teachers of the Belgian theatre company, Troubleyn (Annabelle Chambon, Cédric Charron, and Ivana Jozič). The book sheds new light on the physical, mental, and vocal training of the performer and furthermore gives insight into Fabre’s revolutionary thoughts on contemporary theatre.1
这本名为《呼吸》的书是为《从表演到表演：法布尔21世纪表演者指南》（2021）而构思的。这本书由作家、戏剧艺术家和视觉艺术家Jan Fabre构思和设计，活跃于20世纪70年代。这本书由安特卫普大学戏剧和戏剧研究员Luk Van den Dries与Jan Fabre和比利时剧团三位最重要的演员/教师Troubleyn（Annabelle Chambon、Cédric Charron和Ivana Jozič）密切合作撰写。这本书为表演者的身体、心理和声乐训练提供了新的视角，并进一步深入了解了法布尔对当代戏剧的革命性思想。1
期刊介绍：
SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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