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Haiti Can't Breathe 海地无法呼吸
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900549
Néhémy Pierre-Dahomey, D. F. Bell
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引用次数: 0
Take My Breath Away 让我无法呼吸
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900540
Eric Hayot
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引用次数: 0
Gasping for Breath: Democracy à bout de souffle? 喘口气:民主与蛋奶酥有关吗?
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900566
R. Scullion
In 1947, Winston Churchill looked out on the ruin in which Europe lay after the experience of totalitarian rule the continent had just survived and famously remarked: “Many forms of government have been tried, and will be tried in this world of sin and woe. No one pretends that democracy is perfect or all-wise. Indeed, it has been said that democracy is the worst form of government, except for all those other forms that have been tried from time to time” (1). This commemoration of the fiftieth anniversary of SubStance’s founding offers an opportunity to reflect on the perils of our contemporary world where we are seeing actual and aspiring autocrats assailing democratic rule with a vigor not seen in the Western world since the interwar years. Here in the US, concerns about the erosion of democratic norms and institutions have been heightened by the Ubu-esque ambitions of a singular political personality who has worked intently in recent years to bend a 246-year-old constitutional republic to his will. Upon closer observation, though, it becomes clear that democratic principles and the notions of equality and social solidarity that undergird them have been eroding for decades. These values are now being openly spurned, not just on the margins of political life but in the mainstream as well where, in some quarters, minority power-grabs are the order of the day and a whiff of autocracy hangs in the air. Is it not time to ponder whether the aspirations that spurred the imagination of masses of youth the world over a half century ago have been slowly but surely asphyxiated by an emboldened far right whose ambition over the past five decades has been to quash the “spirit of ‘68” and its expansive vision of what life in a true democracy could be? With respect to the topic at hand, clarity of historical hindsight reveals that at the very moment SubStance and other like-minded sites of inquiry were setting out to challenge orthodoxies of all intellectual sorts, the seeds of this now resurgent authoritarianism had been planted and were already beginning to sprout. The rupture in the status quo which the generation of ‘68 introduced was impelled by its fervent desire to reinvent democratic life and to imagine bold new forms of human emancipation, expression and collective
1947年,温斯顿•丘吉尔(Winston Churchill)在经历了极权主义统治之后,看着欧洲刚刚幸存下来的废墟,发表了一句著名的言论:“在这个罪恶与悲哀的世界上,许多形式的政府已经被尝试过,并将被尝试。”没有人假装民主是完美的或全智的。的确,有人说,民主是最糟糕的政府形式,除了所有其他形式已经尝试过的时候。”(1)。这个纪念物质的成立五十周年提供了一个机会来反思我们当代世界的危险,我们看到实际的和有抱负的独裁者以一种自两次世界大战以来西方世界从未见过的活力攻击民主统治。在美国,对民主规范和制度受到侵蚀的担忧,因这位独特的政治人物乌布式的野心而加剧。近年来,这位政治人物一直致力于让一个有246年历史的宪政共和国屈从于他的意愿。然而,仔细观察就会发现,民主原则以及作为其基础的平等和社会团结的概念几十年来一直在受到侵蚀。这些价值观现在正被公开唾弃,不仅在政治生活的边缘,而且在主流,在某些地区,少数人夺取权力是当今的秩序,空气中弥漫着专制的气息。难道现在不应该思考一下,半个多世纪前激发了全世界广大青年想象力的抱负,是否已经慢慢但肯定地被一个大胆的极右翼扼杀了?在过去的50年里,极右翼的野心一直是压制“68年精神”及其对真正民主生活的广阔愿景。关于手头的话题,清晰的历史后见之明表明,就在物质和其他志同道合的调查网站开始挑战所有知识分子的正统观念的时候,这种现在复活的威权主义的种子已经种下并开始发芽。1968年的一代人所带来的对现状的决裂,是由他们对重塑民主生活的强烈渴望所推动的,他们想象着人类解放、表达和集体的大胆新形式
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引用次数: 0
Coughin'/Coffin Air Coughin ' /棺材里的空气
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900542
A. Nama
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引用次数: 0
"Everything is Breath": Critical Plant Studies' Metaphysics of Mixture “万物皆呼吸”:批判植物研究的混合形而上学
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900538
Elisabeth Weber
In her book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants, Robin W. Kimmerer contrasts two creation stories that are thoroughly incompatible. One starts with an all-powerful male creator calling the world and its vegetation and animals into existence through words, and forming the first human beings from clay; the other starts with Skywoman tumbling through the air with seeds in her fist from the Tree of Life growing in Skyworld. One ends with the condemnation of woman to give birth in “very severe” pains, with the cursing of the ground ordered to “produce thorns and thistles” as punishment for man who will eat his food only after “painful toil,” and the expulsion from the garden; the other ends in gratitude for the collective caring of the animals, with the creation of “a garden for the well-being of all.” One includes an original fall from grace whose burden will be passed down from generation to generation; the other acknowledges suffering without a trace of the burden of unearned guilt. One predicts death as a return to the dust from whence mankind was created; the other imagines death as becoming plant and fruit, as becoming gift, a rejoining the spirits of all ancestors, human and others, who surround the living in everything that is. The threat of one is the inexorability of a trajectory “from dust to dust” and the latter’s association, with Plato, of something so diffuse that it doesn’t merit a concept or idea; the promise of the other is an abiding relationship with all that is, the reciprocity of giving and gratitude, and the gladly assumed responsibility for the “inspirited” land. Kimmerer comments:
Robin W.Kimmerer在她的《编织芳草:本土智慧、科学知识和植物的教学》一书中对比了两个完全不兼容的创作故事。一个是从一个全能的男性创造者开始,通过文字呼唤世界及其植被和动物的存在,并从粘土中形成第一个人类;另一个故事开始于天空女战士在空中翻滚,她的拳头里拿着天空世界中生长的生命之树上的种子。一个以谴责妇女在“非常严重”的痛苦中分娩而告终,诅咒地上“长出荆棘和蓟”,作为对只有在“痛苦的劳动”后才会吃东西的男人的惩罚,并将其逐出花园;另一个目的是感谢对动物的集体照顾,创造了“一个让所有人都幸福的花园”。一个包括最初的失宠,他的负担将代代相传;另一方承认痛苦,丝毫没有不劳而获的内疚感。有人预言死亡是回到人类诞生的尘埃中;另一种将死亡想象成植物和水果,想象成礼物,重新加入所有祖先、人类和其他人的灵魂,他们围绕着生命的一切。其中一种的威胁是“从尘埃到尘埃”的轨迹是不可阻挡的,后者与柏拉图的联系是如此分散,以至于不值得一个概念或想法;对方的承诺是与一切的永恒关系,也就是说,给予和感激的互惠,以及对“受鼓舞”的土地欣然承担的责任。Kimmerer评论:
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引用次数: 0
Dune(s) 沙丘(s)
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900522
Michel Pierssens
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引用次数: 0
breathe 呼吸
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900535
J. Cayley
To view the current version of John Cayley’s digital work “breathe” as a standalone website, please visit https://work.programmatology.com/breathe/. Use of a Chrome browser is advised, and, for mobiles, the site has only been tested for iOS devices. On the desktop, switching to full screen will avoid having to manually resize the browser window to a more or less 16:9 aspect. To view Cayley’s notebook with digital code, visit https://observablehq.com/@shadoof/breathe.
要将约翰·凯利的数字作品《呼吸》的当前版本作为独立网站查看,请访问https://work.programmatology.com/breathe/.建议使用Chrome浏览器,对于手机,该网站只在iOS设备上进行了测试。在桌面上,切换到全屏可以避免手动将浏览器窗口调整为16:9大小。要查看带有数字代码的Cayley笔记本,请访问https://observablehq.com/@shadoof/呼吸。
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引用次数: 0
Learning to Breathe: Five Fragments Against Racism 学会呼吸:反对种族主义的五个片段
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900527
B. Mani
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引用次数: 0
Breathing: Proustian Therapy 呼吸:普鲁斯特疗法
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900528
C. Prendergast
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引用次数: 0
Invocation: FIFTY is Nifty 援引:五十是Nifty
IF 0.3 3区 文学 Q2 Arts and Humanities Pub Date : 2023-06-23 DOI: 10.1353/sub.2023.a900519
I. M. Lithic
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引用次数: 0
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