{"title":"Meeting Things","authors":"Geneviève Godin","doi":"10.1558/jca.21642","DOIUrl":null,"url":null,"abstract":"This paper is an exploration of the points of encounter that become visible through the practice of mudlarking – that is, the gathering of materials from the foreshore along the River Thames in London, England. I first examine the foreshore itself, as the meeting place between underworlds, liquid worlds and surface worlds, positing that it therefore constitutes a borderland. Based on fieldwork carried out in Rotherhithe and Greenwich, I further argue that the spatiotemporal dimension of experience is destabilised in such a location. Another point of encounter is identified as existing between the hand and the found thing, creating a form of tactile material intimacy and performative theorising. Lastly, I suggest that touching and holding are not passive acts, but an interlocking of porous bodies and a way to cohabit with things as they emerge from the mud.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.21642","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
This paper is an exploration of the points of encounter that become visible through the practice of mudlarking – that is, the gathering of materials from the foreshore along the River Thames in London, England. I first examine the foreshore itself, as the meeting place between underworlds, liquid worlds and surface worlds, positing that it therefore constitutes a borderland. Based on fieldwork carried out in Rotherhithe and Greenwich, I further argue that the spatiotemporal dimension of experience is destabilised in such a location. Another point of encounter is identified as existing between the hand and the found thing, creating a form of tactile material intimacy and performative theorising. Lastly, I suggest that touching and holding are not passive acts, but an interlocking of porous bodies and a way to cohabit with things as they emerge from the mud.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.