Między Kommune 1 a „niedzielną pieczenią”. Krautrock w świetle koncepcji komunizmu kwasowego

Q2 Arts and Humanities Praktyka Teoretyczna Pub Date : 2021-07-15 DOI:10.14746/prt.2021.2.5
Kamil Idzikowski
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Abstract

The article examines selected phenomena of the so-called krautrock, i.e. West German rock music of the late 1960s and the 1970s. The analysis is based on Mark Fisher's concept of acid communism and the related issue of collective subjectivity. The author distinguishes two opposing tendencies in the music discussed, the first one being the fascination with the collective that goes back to the student protests of 1967–1968, and the second one being the (re)appreciation of individual perspective, which manifested itself e.g. in an increased interest in spirituality and a certain kind of social criticism performed from a distanced position. Focusing on the relationship between the individual and the group, the article analyzes a number of songs and albums that have received little or no attention from researchers up to now.
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在Kommune 1和周日烤肉之间。从酸性共产主义的概念看克劳特罗克
本文考察了所谓的krautrock现象,即20世纪60年代末和70年代的西德摇滚乐。这一分析是基于马克·费舍尔的酸性共产主义概念以及与之相关的集体主体性问题。作者在所讨论的音乐中区分了两种相反的倾向,第一种是对1967年至1968年学生抗议活动中集体的迷恋,第二种是对个人视角的(重新)欣赏,这表现为对精神的兴趣增加,以及从一个遥远的位置进行的某种社会批评。本文围绕个人与群体之间的关系,分析了一些迄今为止很少或根本没有受到研究人员关注的歌曲和专辑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Praktyka Teoretyczna
Praktyka Teoretyczna Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
20 weeks
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