Seeing Red: Effects of Practice Interventions on Woodwind Students’ Accuracy in Performing Articulation

Laura A. Stambaugh, Carolyn J. Bryan
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Abstract

Music reading is a central part of most band programs, yet research about music reading has rarely included articulation markings. The purpose of this study was to explore the effect of four experimental practice conditions to a control condition on woodwind players’ performance of slur, accent, and staccato markings. A secondary purpose was to examine the role of working memory in performing articulation. The practice conditions used visual and kinesthetic approaches: colored notation, tracing over articulation marks, and speaking syllables. University woodwind players (N = 26) practiced short etudes on 1 day, and they returned approximately 24 hours later for retention testing. Participants’ working memory was strongly related to playing articulation on the first day of practice. Woodwind players prioritized playing slurs over accents and staccatos, and there was some support for tracing with color to support accurate performance of articulation.
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看到红色:练习干预对木管乐器学生发音准确性的影响
音乐阅读是大多数乐队节目的核心部分,但关于音乐阅读的研究很少包括发音标记。本研究的目的是探讨四个实验练习条件对木管演奏者的诋毁、重音和断奏标记表现的影响。第二个目的是研究工作记忆在发音中的作用。练习条件使用了视觉和动觉的方法:彩色符号、在发音标记上描记和说话音节。大学木管演奏家(N=26)在一天内练习了短练习曲,大约24小时后返回进行保留测试。参与者的工作记忆与练习第一天的发音密切相关。木管演奏者优先演奏诋毁而非重音和断奏,并且有一些人支持用颜色进行追踪,以支持准确的发音表现。
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