Fostering Trust in Music Classrooms: A Review of the Literature

K. Hendricks, Diana R. Dansereau, Betty Bauman-Field, Cheryl M. Freeze
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Abstract

This article is a systematic review of literature related to collective and relational trust in general school settings, with applications to music education. We focused on trauma-sensitive approaches and emerging pedagogies of trust and considered how they interact with theoretical facets of relational trust (vulnerability, confidence, honesty, openness, reliability, benevolence, and competence) in music learning settings. Trauma-sensitive approaches to trust include (a) using consistent rules and routines, (b) creating engaging lessons that are fun and enjoyable, and (c) praising students honestly and authentically. Pedagogies of trust involve (a) promoting collaboration and consistency, (b) open communication and authentic listening, (c) commitment and persistence to shared goals, and (d) the teacher’s willingness to be vulnerable, take musical risks, and continue learning along with students. More research is needed to understand processes of trust involving racial trauma as well as generational differences in how trust is viewed, developed, and/or received.
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在音乐课堂中培养信任:文献综述
这篇文章是一个系统的文献综述有关集体和关系信任在一般学校设置,并应用于音乐教育。我们专注于创伤敏感方法和新兴的信任教学法,并考虑了它们如何与音乐学习环境中关系信任的理论方面(脆弱性、自信、诚实、开放、可靠性、仁慈和能力)相互作用。创伤敏感的信任方法包括(a)使用一致的规则和惯例,(b)创建有趣和愉快的引人入胜的课程,以及(c)诚实和真实地表扬学生。信任教学法包括(a)促进合作和一致性,(b)开放的沟通和真诚的倾听,(c)对共同目标的承诺和坚持,以及(d)教师愿意脆弱,承担音乐风险,并继续与学生一起学习。需要更多的研究来了解涉及种族创伤的信任过程,以及如何看待、发展和/或接受信任的代际差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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