Midwifery Narratives and Development Discourses

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES Journal of African Cultural Studies Pub Date : 2022-06-21 DOI:10.1080/13696815.2022.2075835
Veronica Barnsley
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引用次数: 2

Abstract

ABSTRACT In this article I explore the intersection of literature and development via the figure of the midwife. This approach is prompted by the recognition that, despite their importance, midwives often remain on the margins of both development and global health research, and literary analysis. Making midwives the centre of attention allows us to encounter the range of biomedical processes and practices that punctuate pregnancy and birth, the cultural imagery that shapes their meaning, and the sociopolitical structures that indicate what is possible in reframing maternal and infant health, and development discourses more widely, in decolonial terms. I present critical readings of autobiographical and fictional texts by African midwives who are also activists and writers, including Grace Ogot and Makhosasana Xaba. Bringing these perspectives into dialogue with humanitarian writing and Christie Watson’s midwifery-focused novel, Tiny Sunbirds Far Away, allows tensions around the meanings and histories of “development” to surface via the diverse practices and beliefs that midwifery involves. I aim to demonstrate how the midwife has been and remains a uniquely placed agent for change, even when she doesn’t label herself as a development practitioner.
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助产叙事与发展话语
在本文中,我通过助产士的形象来探讨文学与发展的交集。人们认识到,尽管助产士很重要,但她们往往处于发展和全球卫生研究以及文献分析的边缘,这促使人们采取了这种做法。使助产士成为关注的中心,使我们能够接触到各种打断怀孕和分娩的生物医学过程和做法,塑造其意义的文化意象,以及社会政治结构,这些结构表明在以非殖民化的方式更广泛地重新构建孕产妇和婴儿健康和发展话语方面可能发生的事情。我提供对非洲助产士的自传和虚构文本的批判性阅读,这些助产士也是活动家和作家,包括格蕾丝·奥格特和马科萨萨纳·哈巴。将这些观点与人道主义写作和克里斯蒂·沃森(Christie Watson)以助产为主题的小说《遥远的小太阳鸟》(Tiny Sunbirds Far)进行对话,通过助产所涉及的各种实践和信仰,让围绕“发展”的意义和历史的紧张关系浮出水面。我的目的是展示助产士如何一直是并且仍然是一个独特的变革推动者,即使她不给自己贴上发展实践者的标签。
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来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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