The Transformation of Traditional Dance from Its First to Its Second Existence: The Effectiveness of Music-Movement Education and Creative Dance in The Preservation of Our Cultural Heritage.

L. Georgios
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引用次数: 26

Abstract

Being an indispensable part of our folk tradition, the traditional dance bears elements of our cultural tradition and heritage and passes them down from generation to generation. Therefore, it contributes substantially to the reinforcement of our cultural identity and plays a crucial role in the "cultural development" of our society. Our culture is going through a constant process of mutation. Some traditional elements get lost, while others resist and survive or get transformed and readjust to new emerging circumstances. The aim of the present study is to investigate the learning process of Music/ Movement Education and Creative Dance within the context of the “second existence” of dance, and the way in which this learning process can effectively save and preserve the characteristic cultural traits of the "first existence" of the traditional dance. The experiential way of learning and transmitting dance from one generation to the other, is characterized as “the first existence” of dance. Changes in modern social, political and economic conditions have influenced the Greek traditional dance, which has acquired a more entertaining and tourist-commercial character, while its educational character has transformed going through teacher-centered educational processes. Having undergone this change, the traditional dance is now defined as “the second existence” of folk dance. The conversion of the traditional dance from its "first existence" into its "second existence" is supported and interpreted by the three components of the dancing process, the so-called “communication triangle”: the dancer, the dance and the viewer. The adoption of the particular approach of Music - Movement Education and Creative Dance in teaching Greek traditional dances can preserve and convey a large part of our cultural heritage to the new generation. Only by learning their country’s history and culture will the young generations be able to learn their own identity and make the best of the past in order to live more happily today and create a better future.
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传统舞蹈从最初存在到第二存在的转变:音乐运动教育和创造性舞蹈在我国文化遗产保护中的作用。
传统舞蹈是我国民间传统中不可或缺的一部分,承载着我国文化传统和遗产的元素,并代代相传。因此,它在很大程度上有助于加强我们的文化认同,并在我们社会的“文化发展”中发挥着至关重要的作用。我们的文化正在经历一个不断变化的过程。一些传统元素消失了,而另一些则抵抗并生存下来,或者转变并重新适应新出现的环境。本研究的目的是在舞蹈“第二存在”的背景下,探讨音乐/动作教育和创意舞蹈的学习过程,以及这种学习过程如何有效地保存和保存传统舞蹈“第一存在”的特征文化特征。从一代人到另一代人学习和传递舞蹈的体验方式,被称为舞蹈的“第一存在”。现代社会、政治和经济条件的变化影响了希腊传统舞蹈,使其获得了更具娱乐性和旅游商业性的特征,而其教育特征则通过以教师为中心的教育过程发生了转变。在经历了这种变化之后,传统舞蹈现在被定义为民间舞蹈的“第二种存在”。传统舞蹈从“第一种存在”到“第二种存在”的转换是由舞蹈过程的三个组成部分,即所谓的“交流三角”支撑和解释的:舞者、舞者和观众。在希腊传统舞蹈教学中采用音乐运动教育和创造性舞蹈的特殊方法,可以保护我们的大部分文化遗产,并将其传达给新一代。只有学习自己国家的历史和文化,年轻一代才能了解自己的身份,充分利用过去,才能在今天过上更幸福的生活,创造更美好的未来。
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