Anarquismo, conciliação e conflito em La Patagonia Rebelde (1974)

Abstract

This article proposes a debate about the film La Patagonia Rebelde (1974), directed by Hector Olivera and based in a book by Osvaldo Bayer. From a film history perspective, we conducted a film analysis to extract from our source questions about the historical period that the film portrays, such as the organization of Argentine workers through anarcho-syndicalism, and also about the period which the film itself was made, such as anti-imperalist themes and the contradictions and limitations of class conciliation.