Scripting a Multicultural Future: The Chinese and Korean Songs of the Northeast Anti-Japanese United Army

IF 0.4 4区 社会学 0 ASIAN STUDIES Sungkyun Journal of East Asian Studies Pub Date : 2023-05-01 DOI:10.1215/15982661-10336302
Lehyla G. Heward
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Abstract

Abstract:Hundreds of military songs are credited to the Northeast Anti-Japanese United Army (NAUA). The NAUA was a coalition of Chinese and Korean guerrilla armies that operated in Northeast China during the Manchukuo period (1932–45). The NAUA used songs to teach and inculcate new behaviors in line with socialist and communist ideologies. Most importantly, the songs worked on an emotional level, meaning that they conveyed collective sentiments while also directing their appropriate expression in order to foster camaraderie and boost morale. Drawing from concepts formulated by historians of emotions, I argue that the NAUA became what Barbara Rosenwein terms an "emotional community." As such, the NAUA defied strict nationalist sentiments primarily due to the discursive power and easy dissemination of the military songs. The Chinese and Korean songs, along with their aesthetic features, have not been studied comprehensively. As literary products of a tumultuous era, the NAUA songs deliver historical evidence of the transnational and transcultural ideologies present in resistance groups across the Japanese empire.
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书写多元文化的未来:东北抗日联军的汉朝歌曲
摘要:东北抗日联军创作了数百首军歌。NAUA是满洲国时期(1932–45)在中国东北地区活动的中国和朝鲜游击队联盟。NAUA用歌曲来教授和灌输符合社会主义和共产主义意识形态的新行为。最重要的是,这些歌曲在情感层面上发挥了作用,这意味着它们传达了集体情感,同时也引导了适当的表达,以培养友谊和鼓舞士气。根据情感历史学家提出的概念,我认为NAUA成为了Barbara Rosenwein所说的“情感社区”。因此,NAUA反抗严格的民族主义情绪,主要是因为军歌的话语权和易于传播。中韩歌曲及其美学特征尚未得到全面的研究。作为动荡时代的文学产物,NAUA歌曲提供了日本帝国抵抗团体中存在的跨国和跨文化意识形态的历史证据。
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