Guan Yu: The Religious Afterlife of a Failed Hero by Barend J. ter Haar (review)

Pub Date : 2021-11-12 DOI:10.1353/jas.2020.0038
Philip Clart
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Abstract

Published by the Harvard-Yenching Institute HJAS 80.2 (2020): 520–526 of their great labor. For example, Yang Fuji 楊復吉 (1747–1820), who compiled five additional installments (ca. 1774–ca. 1816) in Zhaodai congshu after Zhang Chao’s, only had the colophons from the work printed in his lifetime. For the well-educated class, attitudes toward how knowledge should be preserved, presented, and transmitted changed from imperial to post-imperial times. On the other hand, similarities in who the compilers were and how the work of compilation was organized are also striking. Educated individuals, for more than half a century after the fall of the Qing, retained authority over the production and transmission of knowledge, past and present. Taken together, these two well-researched and perceptive books show how, over time, certain uses of print became very different as Chinese society and culture underwent radical changes, while other uses evinced continuities.
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《关羽:一个失败英雄的宗教来世》作者:巴伦德·j·特尔哈尔(书评)
哈佛燕京研究所发表HJAS 80.2(2020):他们伟大劳动的520–526。例如,杨福记楊復吉 (1747–1820),继张超之后,又在《昭代丛书》上增编了五期(约1774–约1816年),他一生中只印刷了这幅作品中的colophons。对于受过良好教育的阶层来说,从帝国时代到后帝国时代,他们对如何保存、呈现和传播知识的态度发生了变化。另一方面,编纂者是谁以及编纂工作的组织方式也有惊人的相似之处。在清朝灭亡后的半个多世纪里,受过教育的个人保留着对过去和现在知识生产和传播的权威。总之,这两本研究充分、见解深刻的书表明,随着时间的推移,随着中国社会和文化发生根本性变化,印刷品的某些用途变得非常不同,而其他用途则表现出持续性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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