Expression of the Romanian Folk Style in Béla Bartók’s String Quartet No. 1

A. Pătraş
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Abstract

"Bartók’s string quartets play an important role in his overall output, as they represent a stylistic universe encompassing almost his entire oeuvre. In his String Quartet No. 1, Bartók aimed at reworking and expanding the folk elements as well as at developing his own personal expression. Despite being deeply rooted in folklore, this is not a folkloric work, but an expression that goes beyond folklore, which the composer placed in a new relationship to art-music. The aim of this research paper is to explore the aspects of language, the content conforming to the preoccupations of the modern era and the types of writing used, with a focus on the use of the melodic and rhythmic elements of folk music. The musical stylistics of this work is based precisely on the intertwinement and fusion of the two great creative principles: folk and art. Keywords: Béla Bartók, string quartet, folk elements. "
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巴姆拉西Bartók第一弦乐四重奏中罗马尼亚民间风格的表现
“Bartók的弦乐四重奏在他的整体作品中发挥着重要作用,因为它们代表了一个几乎涵盖了他全部作品的风格世界。在他的《第一弦乐四重奏》中,Bartík旨在重新创作和扩展民间元素,并发展他自己的个人表达。尽管它深深植根于民间传说,但它不是一部民间传说作品,而是一种超越传统的表达方式d民间传说,作曲家将其置于与艺术音乐的新关系中。本文的目的是探索语言方面、符合现代关注的内容和使用的写作类型,重点是民间音乐的旋律和节奏元素的使用。这部作品的音乐风格正是基于民间和艺术这两大创作原则的交织和融合。关键词:Béla Bartók,弦乐四重奏,民间元素。“
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