Sándor Veress’s Threnos in the Light of ‘Tradition’ and ‘Renewal’

Miklós Fekete
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引用次数: 0

Abstract

"This paper focuses on the musical analysis of Veress’s orchestral composition, Threnos. Written in 1945 and dedicated to the memory of Bartók, it is a one-movement work, divided into three independent internal sections, each of them representing an orchestral gradation. Being a threnody, Veress inserts two folk-like funeral laments, which are the composer’s melodic inventions, in the style of folk music. Veress, the ethnomusicologist and composer presents the bartókian principle of how to capture the ethos of folk music in its structure, melody, harmony, and rhythm, and how to express it in such a modern and innovative way, that a completely new quality is born from it. Keywords: Sándor Veress, folk music, bartókian principles, style, compositional techniques, analysis, Threnos."
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从“传统”与“更新”看Sándor Veress的《三人行》
本文主要对Veress的管弦乐作品《Threnos》进行音乐分析。创作于1945年,致力于纪念Bartók,这是一部单乐章作品,分为三个独立的内部部分,每个部分代表一个管弦乐级。作为一首挽歌,Veress以民间音乐的风格插入了两首类似民间的葬礼哀歌,这是作曲家在旋律上的发明。民族音乐家和作曲家Veress提出了bartókian原则,如何捕捉民间音乐的结构,旋律,和声和节奏的精神,以及如何以现代和创新的方式表达它,从而产生全新的品质。关键词:Sándor Veress,民间音乐,bartókian原则,风格,作曲技巧,分析,Threnos。
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