“Adieux à Bach”

Sára Aksza Grosz
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Abstract

"The Capriccio sopra la lontananza del fratello dilettissimo, BWV 992 was written not only in youth and in search of compositional identity, but also in a period when several meanings and musical genres overlapped under the term of capriccio. Moreover, among specialists, there is still no full agreement on the date and dedicatee of Bach’s work. Who departures and from whom? Is he a family member or a friend? Due to the extra-musical program of the movements’ subtitles, besides the formal and rhetorical analysis psychology-related concepts might help to highlight these questions. However, by farewell sometimes new perspectives open, and other possible influences and models become clear either, within family for a father’s son (Carl Philipp Emanuel Bach) or outside of it, in a composer generation distance (Ludwig van Beethoven). Keywords: J. S. Bach, capriccio, programmatic keyboard music"
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“再见巴赫”
“BWV 992年创作的这首歌剧,不仅是在年轻时创作的,而且是在寻找创作身份的过程中创作的,也是在随想曲的术语下,几种含义和音乐类型重叠的时期。”此外,在专家之间,对巴赫的作品的日期和奉献仍然没有完全一致。谁离开谁?他是你的家人还是朋友?由于这些动作的字幕具有非音乐性,除了形式和修辞分析之外,心理学相关的概念可能有助于突出这些问题。然而,通过告别,有时新的视角打开了,其他可能的影响和模式变得清晰起来,无论是在家庭内部,对于父亲的儿子(卡尔·菲利普·伊曼纽尔·巴赫),还是在家庭之外,在作曲家的一代距离(路德维希·范·贝多芬)。关键词:巴赫,随想曲,程式化键盘音乐
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