documentário Dzi Croquettes (2009) e a construção de uma memória marginal, do subterrâneo e do esquecimento sobre a contracultura na ditadura civil-militar no Brasil

Abstract

This paper aims to understand the importance of the documentary Dzi Croquettes (2009) as a tool to rescue a marginalized memory in the historiography about counterculture in the decade of 1970, focusing to highlight not only his role as a element that withdraw the theater group that names the film, but also how this recovery process takes form. Thus, aiming to take in account not only the memory and the personal dimension acts as cornerstones in the narrative, but also how they affect the way they are transmitted to the public, highlighting the documentary position between a position of recovery and idealization and apprehend how certain aspects are ignored to monumentalize the past focused on the viewers’ perception.