ALOJZY OBORNY (1933–2022) IN HIS WIFE’S POST MORTEM

Q3 Arts and Humanities Muzealnictwo Pub Date : 2022-10-19 DOI:10.5604/01.3001.0016.0556
Aneta I. Oborny
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Abstract

Alojzy Oborny (1933–2022) was an art historian (MA 1955), assistant at the Pszczyna Castle Museum (1955– 1958), Head of the Raciborz Museum (1958–1961), a longstanding director of the Świętokrzyskie Museum, as of 1975 Director of the National Museum in Kielce (1961–1987, 1990– 2002), Deputy Director for Research at the National Museum in Krakow (1987–1990). A co-organizer and honorary member of the Kielce Branch of the Polish Art Historian Association, he was a long-standing member of the Council for Museums at the Ministry of Culture, as well as the president and a member of museum councils. He co-founded the Rotary Club in Kielce of which he was a member. As an art disseminator, he cooperated with Kielce dailies and cultural periodicals, as well as with the Kielce Radio. It was thanks to his efforts that the Former Palace of Cracow Bishops in Kielce was allocated to the Świętokrzyskie Museum (1971) which he subsequently raised to the dignity of the National Museum (1975). An active organizer of museum life, from the 1970s he initiated and co-organized an international cultural exchange, locating the Kielce museum collection and the offer of the Kielce Museum within the realm of Europeans culture. An expert in Polish painting, he created the Gallery of Polish Painting of the National Museum in Kielce. Oborny authored and co-authored museum exhibitions as well as several dozen publications and books on art, particularly Polish painting.
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ALOJZY OBORNY(1933-2022)在其妻子的尸检中
阿洛伊兹·奥博尔尼(1933-2022),艺术史学家(1955),普什奇纳城堡博物馆助理(1955 - 1958),拉西博尔兹博物馆馆长(1958-1961),长期担任Świętokrzyskie博物馆馆长,1975年起担任凯尔策国家博物馆馆长(1961-1987,1990-2002),克拉科夫国家博物馆研究副主任(1987-1990)。他是波兰艺术历史学家协会凯尔采分会的联合组织者和荣誉会员,也是文化部博物馆理事会的长期成员,也是博物馆理事会的主席和成员。他是基尔斯扶轮社的共同创办人之一,他也是扶轮社的社员。作为一名艺术传播者,他与凯尔采日报、文化期刊以及凯尔采电台合作。正是由于他的努力,凯尔采的前克拉科夫主教宫才被分配到ŚwiętokrzyskieMuseum(1971年),后来他又把它提升到国家博物馆的尊严(1975年)。作为博物馆生活的积极组织者,从20世纪70年代起,他发起并共同组织了一次国际文化交流,将凯尔采博物馆的收藏和凯尔采博物馆的报价置于欧洲文化的范围内。作为波兰绘画专家,他在凯尔采国家博物馆创立了波兰绘画画廊。他撰写和合作撰写了博物馆展览以及几十种艺术出版物和书籍,特别是波兰绘画。
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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