Die verwantskap tussen khôra en die mistiek in M.M. Walters se gedig ‘Die groot stilte’

Elizabeth van der Berg, P. Van Schalkwyk
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Abstract

The relationship between khôra and mysticism in M.M Walter’s poem ‘Die groot stilte’. In view of M.M. Walters’ recent death (28 Julie 2020), it is timeous to pay homage to him by focusing on a lesser-known aspect of his poetry, namely mysticism. This article aims to demonstrate the relationship between the mysterious and enigmatic Platonic concept khôra and mysticism, and to subsequently indicate how this is expressed in the poem ‘Die groot stilte’ (in the volume Sprekende van God). Walters (1929–2020) was mainly a satirist, but also a poet of religious verse. However, he differentiated himself as an unconventional religious poet and alternative seeker of God. He opposed church dogma and believed that Christ should be sought in ways that go beyond simply accepting the church’s teachings. The article opens with a brief survey of the mystical tradition in Afrikaans poetry, after which the poetry of Walters is briefly described. Subsequently, the reception of his anthology Sprekende van God is discussed. After an introductory discussion of the khôra concept, his poem Die groot stilte is analysed in detail, and the relationship between khôra and mysticism explained. Pieter G.R. de Villiers (2020) maintains that Walters created striking poems with mystical content, and that he was often misunderstood by the clergy and orthodox believers as an enemy of religion and the church. Countering this, De Villiers observes that Walters was driven to seek a genuine, credible spirituality. De Villiers finds it unfortunate that this aspect of Walters’ poetry is not sufficiently recognised.Contribution: Based on the analysis and interpretation of ‘Die groot stilte’, the conclusion is reached that Walters can indeed be described as a mystical poet and that his mystical poetry can be regarded as part of the relatively small yield in mystical Afrikaans literature. This article adds to the equally small corpus of academic literature on mysticism in Afrikaans.
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在M.M.Walters的“Die groot stilte”中,Die verwantskap tursen khôra en Die mistiek
瓦尔特诗歌《踩高跷》中khôra与神秘主义的关系。鉴于M.M.沃尔特斯最近去世(2020年6月28日),现在是时候关注他的诗歌中一个鲜为人知的方面,即神秘主义,向他致敬了。本文旨在展示神秘而神秘的柏拉图概念khôra与神秘主义之间的关系,并随后指出这一点在诗歌《Die groot stilte》(Sprekende van God卷)中是如何表达的。沃尔特斯(1929-2020)主要是一位讽刺作家,也是一位宗教诗歌诗人。然而,他将自己区分为一个非传统的宗教诗人和另类的上帝寻求者。他反对教会的教条,认为寻求基督的方式应该超越简单地接受教会的教导。文章首先简要介绍了南非荷兰语诗歌中的神秘传统,然后简要介绍了沃尔特斯的诗歌。随后,讨论了他的选集《上帝》的受欢迎程度。在介绍了khôra概念的基础上,详细分析了他的诗歌《Die groot stilte》,并解释了khóra与神秘主义的关系。Pieter G.R.de Villiers(2020)坚持认为,沃尔特斯创作了具有神秘内容的引人注目的诗歌,他经常被神职人员和东正教信徒误解为宗教和教会的敌人。与此相反,德维利尔斯指出,沃尔特斯被驱使去寻求一种真正、可信的精神。不幸的是,德·维利尔斯发现沃尔特斯诗歌的这一方面没有得到充分的认可。贡献:通过对“Die groot stilte”的分析和解读,得出沃尔特斯确实可以被描述为一位神秘主义诗人的结论,他的神秘主义诗歌可以被视为神秘南非荷兰语文学中产量相对较小的一部分。这篇文章增加了同样小的关于南非荷兰语神秘主义的学术文献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
66.70%
发文量
25
审稿时长
12 weeks
期刊介绍: Literator publishes research articles and essays on linguistics and literature in general, but focuses in particular on the (comparative) study of South African languages and literatures and other cultural phenomena across language, media and cultural boundaries (examples of topics would be: different manifestations of Post-Modernism, the interaction between visual arts and literature, the representation of the South African War in literature, language attitudes and language policy).
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