Image of the Turk in Games as an Antithesis

Omer Fatih Parlak
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Abstract

"The Turk" is a multifaceted concept that emerged in the late Middle Ages in Europe, and has gained new faces over the course of time until today. Being primarily a Muslim, the Turk usually connoted the antichrist, infidel, and the ultimate enemy. With such attributed qualities, the concept influenced European art and literature by providing a subject with negative visual and textual representations. Current scholarly corpus about representations of the Turk sufficiently investigates the subject, yet, without offering different reading and conclusion. This paper aims at introducing a new perspective to the image of the Turk by shedding light on its representations in early modern European board games and playing cards; thus, contributing to a nouvelle scholarly interest on the image of the Turk. It argues that, belonging to a familiar but relatively obscure world of games, board games and playing cards have the potential to reinforce an antithesis to the negative image of the Turk.
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作为对立物的土耳其人在奥运会中的形象
“土耳其人”是一个多面的概念,出现在中世纪晚期的欧洲,并随着时间的推移获得了新的面孔,直到今天。作为一个主要的穆斯林,土耳其人通常意味着敌基督、异教徒和最终的敌人。有了这些属性,这个概念通过为一个主题提供负面的视觉和文本表现,影响了欧洲的艺术和文学。目前关于土耳其人表现的学术语料库充分研究了这个主题,然而,没有提供不同的阅读和结论。本文旨在通过揭示其在早期现代欧洲棋盘游戏和扑克牌中的表现,介绍一个新的视角来看待土耳其人的形象;因此,对土耳其人的形象产生了新的学术兴趣。它认为,作为一个熟悉但相对模糊的游戏世界,棋盘游戏和扑克牌有可能强化土耳其人负面形象的对立面。
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