{"title":"Franz Kafka.","authors":"J. Roubicek","doi":"10.5860/choice.35-2014","DOIUrl":null,"url":null,"abstract":"The hereditary and environmental influences on the genius of Kafka's personality are discussed. His exterior, somatic constitution is represented by photos taken during his lifetime as well as some posthumous, imaginary portraits and sculptures by various, mostly Prague, artists. The concept of the artist's psychic formation - his mental makeup - is documented from his diary, dreams, letters, literary work and reports by his friends. The whole proves his introversion, ambivalence, hypersensitivity, obstinancy, anxieties, behavioral anomalies, a life rich in fantasies and his underestimation of his own literary work. (He speaks about it as an idiosyncrasy, wishing it to be burned after his death.) Some little-known drawings by Kafka complement the picture of his talents and creativity. The psychological and psychopathological roots of his extraordinary position in the cultural awareness of his epoch are discussed.","PeriodicalId":75735,"journal":{"name":"Confinia psychiatrica. Borderland of psychiatry. Grenzgebiete der Psychiatrie. Les Confins de la psychiatrie","volume":"18 2 1","pages":"73-94"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"67","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Confinia psychiatrica. Borderland of psychiatry. Grenzgebiete der Psychiatrie. Les Confins de la psychiatrie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5860/choice.35-2014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 67

Abstract

The hereditary and environmental influences on the genius of Kafka's personality are discussed. His exterior, somatic constitution is represented by photos taken during his lifetime as well as some posthumous, imaginary portraits and sculptures by various, mostly Prague, artists. The concept of the artist's psychic formation - his mental makeup - is documented from his diary, dreams, letters, literary work and reports by his friends. The whole proves his introversion, ambivalence, hypersensitivity, obstinancy, anxieties, behavioral anomalies, a life rich in fantasies and his underestimation of his own literary work. (He speaks about it as an idiosyncrasy, wishing it to be burned after his death.) Some little-known drawings by Kafka complement the picture of his talents and creativity. The psychological and psychopathological roots of his extraordinary position in the cultural awareness of his epoch are discussed.
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弗朗茨•卡夫卡。
讨论了遗传和环境对卡夫卡人格天才的影响。他生前拍摄的照片,以及他死后的一些虚构的肖像和雕塑,主要是布拉格艺术家的作品,体现了他的外表和身体结构。艺术家精神形态的概念——他的心理构成——记录在他的日记、梦境、信件、文学作品和朋友的报告中。整体证明了他的内向、矛盾、敏感、固执、焦虑、行为异常、充满幻想的生活和对自己文学作品的低估。(他说这是一种癖好,希望在他死后把它烧掉。)卡夫卡的一些鲜为人知的画作补充了他的才华和创造力。讨论了他在那个时代文化意识中的特殊地位的心理和精神病理学根源。
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Depth. Franz Kafka. Psychopathology of expression and psychoanalysis. The influence of the therapist's analytic orientation on the patient's art product. [The drawings of Augustin Wilhelm. The psychopathological aspects and cultural and historical comparisons]. ["The madhouse" by W. Kaulbach and the meaning of the picture interpreted by J.A. Schilling, 1863].
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