Disney animated movies, their princesses, and everyone else

IF 4.2 1区 文学 Q1 COMMUNICATION Information Communication & Society Pub Date : 2023-01-12 DOI:10.1080/1369118X.2023.2166362
Alia R. Tyner-Mullings
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引用次数: 1

Abstract

ABSTRACT In April 2021, The Walt Disney Company (Disney) announced the Ultimate Princess Celebration, ‘a year-long event spotlighting the courage and kindness these Disney heroines inspire in fans all around the world’ (Deitchman, 2021). Princesses have remained an important element of Disney’s identity and the movies they create. Broadening research beyond these characters and examining a larger sample demonstrated distinctions in the characteristics present in Official Disney Princess (ODP) movies, Actual Princess (AP) movies, and the 45 in the full catalog (All-Movies) that are or share characteristics with Disney Princess Movies. This article compares the race, class, and gender of the protagonist and antagonist as well as other story elements of 45 animated or partially animated movies that typify Disney’s ‘Classics Period’ between 1937 and 2017 across those three groups. This work examines the ways in which the ODP and AP are different from the overall catalog and violate some of the Disney norms to which we are accustomed while fully embracing others. The research found that while the Official Princess movies had more racial diversity in the main characters than the overall catalog, for example, they also had more stereotypical female villains, more magic, and more romance. Acknowledging these divisions can lead to more robust research where a research sample can be critically collected based on the topic of interest. This article provides a foundation for those examinations.
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迪士尼动画电影,他们的公主们,以及其他人
摘要2021年4月,华特迪士尼公司宣布了“终极公主庆典”,“这是一项为期一年的活动,旨在向全世界的粉丝展示这些迪士尼女英雄所激发的勇气和善良”(Deitchman,2021)。公主一直是迪士尼身份和他们创作的电影的重要组成部分。将研究范围扩大到这些角色之外,并检查更大的样本,表明迪士尼公主官方电影(ODP)、实际公主电影(AP)和完整目录(所有电影)中与迪士尼公主电影相同或共享特征的45部电影中存在的特征存在差异。本文比较了1937年至2017年间迪士尼“经典时期”的45部动画或部分动画电影中主人公和对手的种族、阶级和性别,以及其他故事元素。这项工作考察了ODP和AP与整体目录的不同之处,并违反了我们在完全接受其他规范的同时所习惯的迪士尼规范。研究发现,虽然《官方公主》电影的主要角色比整体目录中的种族多样性更大,但它们也有更多刻板的女性反派角色、更多的魔法和更多的浪漫。承认这些分歧可以导致更有力的研究,可以根据感兴趣的主题批判性地收集研究样本。这篇文章为这些考试提供了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
10.20
自引率
4.80%
发文量
110
期刊介绍: Drawing together the most current work upon the social, economic, and cultural impact of the emerging properties of the new information and communications technologies, this journal positions itself at the centre of contemporary debates about the information age. Information, Communication & Society (iCS) transcends cultural and geographical boundaries as it explores a diverse range of issues relating to the development and application of information and communications technologies (ICTs), asking such questions as: -What are the new and evolving forms of social software? What direction will these forms take? -ICTs facilitating globalization and how might this affect conceptions of local identity, ethnic differences, and regional sub-cultures? -Are ICTs leading to an age of electronic surveillance and social control? What are the implications for policing criminal activity, citizen privacy and public expression? -How are ICTs affecting daily life and social structures such as the family, work and organization, commerce and business, education, health care, and leisure activities? -To what extent do the virtual worlds constructed using ICTs impact on the construction of objects, spaces, and entities in the material world? iCS analyses such questions from a global, interdisciplinary perspective in contributions of the very highest quality from scholars and practitioners in the social sciences, gender and cultural studies, communication and media studies, as well as in the information and computer sciences.
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