Scrambled Astronomy in Fatouville’s French Scenes for Arlequin, Empereur dans la lune

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Configurations Pub Date : 2022-09-01 DOI:10.1353/con.2022.0029
Daniel J. Worden
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Abstract

ABSTRACT:In Paris in 1684, Louis XIV’s troupe of commedia dell’arte performers staged scenes in French alongside their improvised Italian-language comedy routines in Arlequin, Empereur dans la lune [Harlequin, Emperor in the Moon]. The playwright Anne Mauduit de Fatouville composed and contributed these scenes, appropriating the era’s vocabulary of astronomy. These scenes take up, scramble up, and redeploy contentious ideas about the moon and stars in a satirical attack on astrology and pedantic stargazers. Fatouville’s writing, coupled with standout performances by actors like Domenico Biancolelli, helped make the production an immense success. This article suggests that the show’s achievement also grew out of three main comedic strategies that it used to create a singular psychological impact on its first audiences. These theatrical devices led certain viewers to confront, laugh at, and temporarily repress anxiety about possible omens in the starry sky, and imagined extraterrestrials lurking on the moon.
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法图维尔为阿勒昆绘制的法国场景中的混乱天文学
摘要:1684年,在巴黎,路易十四的艺术剧团用法语表演了即兴创作的意大利语喜剧《月亮上的皇帝》。剧作家Anne Mauduit de Fatouville创作并贡献了这些场景,借用了那个时代的天文学词汇。在对占星术和迂腐的观星者的讽刺攻击中,这些场景占据、争夺和重新部署了关于月亮和星星的有争议的想法。法图维尔的作品,加上多梅尼科·比安莱利等演员的出色表演,使这部电影获得了巨大的成功。这篇文章表明,该剧的成就也源于三种主要的喜剧策略,它们用来对第一批观众产生独特的心理影响。这些戏剧性的装置让某些观众直面、嘲笑并暂时抑制对星空中可能出现的预兆的焦虑,并想象外星人潜伏在月球上。
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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