{"title":"Current Occupation of Kruger Cave, A Later Stone Age Site, South Africa","authors":"J. Bradfield, M. Lotter","doi":"10.1558/jca.43377","DOIUrl":null,"url":null,"abstract":"Contemporary occupation of archaeological sites is fraught with challenges and conflicting priorities. While prevailing opinion on heritage management recognises the fluid and continuous nature of archaeological site formation, the role of present-day communities as agents of archaeological palimpsests is often not adequately acknowledged. Contemporary communities, often unrelated to the autochthonous inhabitants of the archaeological sites, occasionally use these sites and landscapes in similar or different ways to how they were used in the past. Their use of these sites, while potentially damaging to the archaeology, simultaneously adds to, and is part of, the life history of the site, of which the excavated material and rock art are but pictures in time. Squatters who appropriate archaeological heritage sites constitute ambiguous communities under current South African heritage legislation. Yet, their role as contributing agents to archaeological sites is no less real. This article presents the case study of Kruger Cave, a Later Stone Age hunter-gatherer rock art site in South Africa, currently occupied by a lay Christian pastor. We document how the pastor is using the site and offer some thoughts around the nuances of negotiating and reconciling archaeological preservation and living heritage management.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.43377","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 1
Abstract
Contemporary occupation of archaeological sites is fraught with challenges and conflicting priorities. While prevailing opinion on heritage management recognises the fluid and continuous nature of archaeological site formation, the role of present-day communities as agents of archaeological palimpsests is often not adequately acknowledged. Contemporary communities, often unrelated to the autochthonous inhabitants of the archaeological sites, occasionally use these sites and landscapes in similar or different ways to how they were used in the past. Their use of these sites, while potentially damaging to the archaeology, simultaneously adds to, and is part of, the life history of the site, of which the excavated material and rock art are but pictures in time. Squatters who appropriate archaeological heritage sites constitute ambiguous communities under current South African heritage legislation. Yet, their role as contributing agents to archaeological sites is no less real. This article presents the case study of Kruger Cave, a Later Stone Age hunter-gatherer rock art site in South Africa, currently occupied by a lay Christian pastor. We document how the pastor is using the site and offer some thoughts around the nuances of negotiating and reconciling archaeological preservation and living heritage management.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.