The Digitized Museum and the Troubling Reliance on Technology to Manage Knowledge in E. M. Forster’s The Machine Stops

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Configurations Pub Date : 2022-06-01 DOI:10.1353/con.2022.0024
Grace Anne Paizen
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Abstract

ABSTRACT:This paper explores the digitized museum in E. M. Forster’s science fiction novella The Machine Stops (1909). Forster replaces the physical space of museums with a digitized platform, complete with information censorship and broadcast through the technological home of humanity, the Machine. In examining Forster’s warning of tasking a machine to manage knowledge, this paper considers the real-life technological progress of digitizing archives and how this current practice is posited as a positive regardless of its causing digital amnesia. By analyzing how early science fiction exposes subjective biases in traditional museum practice, paired with the airbrushing of knowledge through digitized museum platforms, this paper posits that the museum in science fiction challenges views of how knowledge comes to be narrativized and disseminated, with a focus on the digitized museum as a failed memory institution plagued by subjectivity.
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E. M.福斯特的《机器停止》中的数字化博物馆和令人不安的对技术的依赖
摘要:本文探讨了E·M·福斯特的科幻小说《机器停止》(1909)中的数字化博物馆。福斯特用数字化平台取代了博物馆的物理空间,通过人类的技术家园机器进行信息审查和广播。在研究福斯特关于指派机器管理知识的警告时,本文考虑了档案数字化的现实技术进步,以及目前的这种做法是如何被认为是积极的,无论它会导致数字健忘症。通过分析早期科幻小说如何暴露传统博物馆实践中的主观偏见,以及通过数字化博物馆平台对知识的渲染,本文认为科幻小说中的博物馆挑战了知识如何被叙事和传播的观点,重点关注数字化博物馆作为一个受主观性困扰的失败记忆机构。
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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