Remembering Raymond Williams: His Theoretical Heritage to China’s World Literature and Culture Studies

Ning Wang
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Abstract

Raymond Williams, the eminent British Marxist literary theorist, was introduced to China in the late 1980s, and his theories have since been increasingly attractive to China’s literary and cultural studies. He not only touched upon some of the fundamental issues of Marxist literary theory, such as ideology, culture, hegemony and aesthetics, but also developed it with his dynamic construction of a sort of cultural materialism, thus bridging between Marxist socio-historical and aesthetic criticism and cultural and linguistic factors. While literary and cultural theory is in decline in the West, Williams’s legacy is still appreciated in international circles, which ought to be cherished and inherited by us Chinese scholars in our studies of world literature and culture.
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缅怀威廉姆斯:他的理论遗产对中国世界文学与文化研究
20世纪80年代末,英国著名的马克思主义文艺理论家雷蒙德·威廉姆斯被引入中国,他的理论对中国的文学和文化研究越来越有吸引力。他不仅触及了马克思主义文学理论的一些基本问题,如意识形态、文化、霸权和美学,而且随着他对一种文化唯物主义的动态建构而发展起来,从而在马克思主义的社会历史和美学批评与文化和语言因素之间架起了桥梁。在西方文学文化理论日渐衰落的同时,威廉斯的文学文化理论遗产仍然受到国际社会的重视,值得我们中国学者在世界文学文化研究中加以珍惜和继承。
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