Semiotics of Advertising Communication in WEB 2.0 Network Social Services

A. Zotova
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Abstract

The article is devoted to the study of semiotics in the advertising communication of web 2.0 network social services. The purpose of the article is to analyze the publications of various brands on social Internet services focused on communication with the consumer and the subsequent study of the features of the use of semiotics tools. The relevance of the article is due to the fact that the modern information society has increased interest in semiotic systems, including in the field of Internet communication. The modern vision of semiotics has gone beyond the traditional framework and defined it as part of global and local communication in web 2.0 social network services, not only between Internet users, but also in the areas of B2B and B2C. The study of the possibilities of semiotics in advertising communication on web 2.0 social platforms, using the example of search engine applications, the social network Instagram, and company sites, in this article is based on the works of R. Barthes, J. Baudrillard, Y. Lotman, and U. Eco. This material confirms our hypothesis that today, especially since the beginning of the pandemic, communication on web 2.0 services is not limited only to text with a picture/photos or videos, more and more often there are visualized scenes created with the help of graphic design with the use of symbols and iconic signs that are familiar to the consumer, which he easily decodes, since they are inscribed in his socio-cultural coordinate system. The innovation of the research is based on the fixation of modern criteria of advertising Internet communication: polycode, intertextuality and multimedia, used as a way of working with target audiences. The novelty of the material consists of the understanding that semiotics today is a new look not only at the branch of scientific knowledge, but also at the practical possibilities of sign systems in the digital age, when the sign becomes a part of the socio-cultural space, a trend of the global world, a tool for transmitting information, knowledge, positioning, a tool for manipulation, influence, and attracting attention. Thus, brands working with the audience in todays realities should take into account not only the product preferences of consumers, but also broadcast their social / civic activity.
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WEB2.0网络社会服务中广告传播的符号学
本文致力于研究符号学在Web2.0网络社交服务广告传播中的应用。本文的目的是分析各种品牌的出版物在社交互联网服务上侧重于与消费者的沟通,并随后研究符号学工具的使用特点。这篇文章的相关性是因为现代信息社会对符号系统的兴趣增加了,包括在互联网通信领域。符号学的现代视野已经超越了传统框架,并将其定义为Web2.0社交网络服务中全球和本地通信的一部分,不仅在互联网用户之间,而且在B2B和B2C领域。本文以R.Barthes、J.Baudrillard、Y.Lotman和U.Eco的作品为基础,以搜索引擎应用程序、社交网络Instagram和公司网站为例,研究了符号学在Web2.0社交平台上广告传播中的可能性。这些材料证实了我们的假设,即今天,特别是自新冠疫情开始以来,web 2.0服务上的交流不仅仅局限于带有图片/照片或视频的文本,越来越多的情况下,在图形设计的帮助下,使用消费者熟悉的符号和标志创建可视化场景,因为它们被刻在他的社会文化坐标系中。这项研究的创新是基于对广告互联网传播的现代标准的固定:多代码、互文性和多媒体,作为与目标受众合作的一种方式。材料的新颖性在于理解符号学今天不仅是对科学知识分支的新审视,也是对符号系统在数字时代的实践可能性的新审视。当符号成为社会文化空间的一部分,成为全球世界的一种趋势,成为传递信息、知识、定位的工具,吸引眼球。因此,在当今现实中与观众合作的品牌不仅应该考虑消费者的产品偏好,还应该传播他们的社会/公民活动。
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来源期刊
RUDN Journal of Language Studies, Semiotics and Semantics
RUDN Journal of Language Studies, Semiotics and Semantics Arts and Humanities-Language and Linguistics
CiteScore
1.20
自引率
0.00%
发文量
54
审稿时长
16 weeks
期刊最新文献
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