Tapping Into Unknown Musical Areas Analysis of a Medieval Bohemian Musical Manuscript

Szabó Márton
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Abstract

"This research presents a medieval musical manuscript that has not yet been analyzed in detail. Catalogued under the name of Graduale Latino-Bohemicum, and currently held in the Batthyaneum Library of Alba Iulia, it has many peculiarities in comparison with other similar codices from the Transylvanian area, hence also compared with other Czech manuscripts. We offer analysis around the date of its creation, then debate different naming options. To create the proper context of understanding for the analysis, we present a brief historical background of the time and place in question, that is the turbulent 15th and 16th century of Europe, with special focus on Transylvania. We continue with the physical aspects of the manuscript that guide us through the colorful world of medieval codices. From a structural standpoint the work has two delimited parts. The bilingual manuscript starts with chants written in Czech and finishes with melodies in Latin. The existence of the Czech language, as well as many other clues govern us to set up hypotheses regarding its provenance. During the content analysis we dedicate a subchapter to the later page inserts that contain additional notes for the chants, wherefrom we can further conclude theories about the usage of the codex, authors of the later annotations, and so forth. We offer a more in-depth analysis of the musical notation where aspects like rhythm, staff, neumes used and special solutions are shown. Finally, we conclude all major, raised questions related to the name, origin, and genre. Keywords: Graduale Latino-Bohemicum, musical manuscript, codex, medieval, paleography, Gradual, Cancional, Antifonal, Hussite, Czech, Latin, Gregorian, unison, polyphony."
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挖掘未知的音乐领域——对中世纪波西米亚音乐手稿的分析
“这项研究提供了一份尚未详细分析的中世纪音乐手稿。该手稿以Graduale Latino Bohemicum的名义编目,目前保存在Alba Iulia的Batthyanum图书馆,与特兰西瓦尼亚地区的其他类似法典相比,也与其他捷克手稿相比,它有许多独特之处创建,然后讨论不同的命名选项。为了为分析创造适当的理解背景,我们简要介绍了有关时间和地点的历史背景,即动荡的15世纪和16世纪的欧洲,特别关注特兰西瓦尼亚。我们继续阅读手稿的物理方面,引导我们穿越中世纪法典的丰富多彩的世界。从结构的角度来看,这部作品分为两部分。这份双语手稿以捷克语的圣歌开始,以拉丁语的旋律结束。捷克语的存在,以及许多其他线索,引导我们建立关于其起源的假设。在内容分析过程中,我们为后面的插页提供了一个分章,其中包含圣歌的额外注释,从中我们可以进一步得出关于法典使用、后期注释作者等的理论。我们对乐谱进行了更深入的分析,其中显示了节奏、五线谱、使用的neumes和特殊解决方案等方面。最后,我们总结了所有主要问题,提出了与名称、起源和流派有关的问题。关键词:渐变拉丁Bohemicum,音乐手稿,codex,中世纪,古文字,渐变,Cancional,Antifonal,Hussaite,捷克语,拉丁语,格里高利,异音,复调。“
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