{"title":"The balancing act. Museums as spaces for democratic debate: a case study from Oslo, Norway","authors":"Sofie Scheen Jahnsen","doi":"10.1080/15596893.2021.1970901","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper explores the tensions that arise when museums adopt a particular moral and political standpoint while at the same time attempting to recognize and making space for a plurality of perspectives. The study draws on a visual, textual, and comparative analysis of two exhibitions: Typical at the Intercultural Museum and FOLK: from racial types to DNA sequences at the Norwegian Museum of Science and Technology, both located in Oslo, Norway. Alongside interviews with the exhibition producers, the analysis examines how the exhibitions communicate certain standpoints in relation to questions of diversity and demographic changes in contemporary Norway, while simultaneously facilitating an open dialog and debate. The findings suggest that these two roles can be hard to reconcile and ultimately influence museums’ attempts at creating genuine spaces for democratic debate.","PeriodicalId":29738,"journal":{"name":"Museums & Social Issues-A Journal of Reflective Discourse","volume":"14 1","pages":"4 - 22"},"PeriodicalIF":0.7000,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museums & Social Issues-A Journal of Reflective Discourse","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15596893.2021.1970901","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This paper explores the tensions that arise when museums adopt a particular moral and political standpoint while at the same time attempting to recognize and making space for a plurality of perspectives. The study draws on a visual, textual, and comparative analysis of two exhibitions: Typical at the Intercultural Museum and FOLK: from racial types to DNA sequences at the Norwegian Museum of Science and Technology, both located in Oslo, Norway. Alongside interviews with the exhibition producers, the analysis examines how the exhibitions communicate certain standpoints in relation to questions of diversity and demographic changes in contemporary Norway, while simultaneously facilitating an open dialog and debate. The findings suggest that these two roles can be hard to reconcile and ultimately influence museums’ attempts at creating genuine spaces for democratic debate.