{"title":"Interspecies Ethics and the Limits of Epistemic Authority in Karen Joy Fowler's We Are All Completely Beside Ourselves","authors":"Emily York","doi":"10.1353/con.2022.0003","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Karen Joy Fowler's 2013 novel We Are All Completely Beside Ourselves explores the intimate violence of Cold War-era state-supported research on chimpanzees and its connection to contemporary corporate and globalized research and consumption practices that make animals killable. It does so through the story arc of a woman named Rosemary and a chimpanzee named Fern who were raised together as part of a science experiment in the 1950s. Yet the central character of the story is plural: Rosemary/Fern and Fern/Rosemary. By depicting an interspecies subjectivity that reconfigures the terms of the experimental apparatus that produced them, the novel imagines the possibilities and limits of becoming-with, drawing attention to the multivocal and embodied traces of this becoming, the distributed agency of multispecies knowledge production, and the limits of speaking for the nonhuman animal.","PeriodicalId":55630,"journal":{"name":"Configurations","volume":"30 1","pages":"104 - 77"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Configurations","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/con.2022.0003","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT:Karen Joy Fowler's 2013 novel We Are All Completely Beside Ourselves explores the intimate violence of Cold War-era state-supported research on chimpanzees and its connection to contemporary corporate and globalized research and consumption practices that make animals killable. It does so through the story arc of a woman named Rosemary and a chimpanzee named Fern who were raised together as part of a science experiment in the 1950s. Yet the central character of the story is plural: Rosemary/Fern and Fern/Rosemary. By depicting an interspecies subjectivity that reconfigures the terms of the experimental apparatus that produced them, the novel imagines the possibilities and limits of becoming-with, drawing attention to the multivocal and embodied traces of this becoming, the distributed agency of multispecies knowledge production, and the limits of speaking for the nonhuman animal.
摘要:凯伦·乔伊·福勒(Karen Joy Fowler)2013年的小说《我们都完全在自己身边》(We Are All Completely Beyond Ourselves)探讨了冷战时期国家支持的黑猩猩研究中的亲密暴力,以及它与当代企业和全球化的研究和消费实践之间的联系,这些研究和消费行为使动物变得致命。它是通过一个名叫罗斯玛丽的女人和一只名叫弗恩的黑猩猩的故事情节来实现的,他们在20世纪50年代的一次科学实验中一起长大。然而,故事的中心人物是复数:罗斯玛丽/弗恩和弗恩/罗斯玛丽。通过描绘一种种种间主体性,这种主体性重新构成了产生它们的实验装置的术语,小说想象了与之相处的可能性和局限性,并引起了人们对这种相处的多声音和具体痕迹的关注,多物种知识生产的分布式机构,以及为非人类动物说话的局限性。
ConfigurationsArts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍:
Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).