{"title":"Disabled masculinity as a metaphor of national conflict in the cold war era: Orson Welles’ the lady from Shanghai (1947).","authors":"Leonor Acosta Bustamante","doi":"10.12795/ren.2019.i23.01","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Norteamericanos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/ren.2019.i23.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
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