The Alide Iconography between Theological Debate and Popular Piety in Contemporary Albania

Gianfranco Bria
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引用次数: 2

Abstract

In this work, we analysed the intertwining of social transformations and evolution of lived religion through the kaleidoscope of Alid iconographic worship in a postsocialist context such as Albania. In this framework, the Bektashi community restored and renewed Alid iconography, at first supported by transnational Iranian and Alevi networks, in order to hold social and political legitimation within the fragmented religious field. The embodying experiences of iconographic worship could shape the cognitive perceptions and moral dispositions of believers who partly play, critically and individually, their own religiosity. Finally, the spread of the icons seems to indicate a marketization of religious piety and a surfacing of public Islam, promoted by the Bektashiyya, in order to renegotiate power relations within Albanian society.
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当代阿尔巴尼亚神学辩论与大众虔诚之间的阿利德肖像学
在这项工作中,我们通过在阿尔巴尼亚等后社会主义背景下的阿里肖像崇拜的万花筒,分析了社会变革和生活宗教演变的相互交织。在这一框架下,Bektashi社区恢复并更新了Alid图像,最初由跨国伊朗和Alevi网络支持,以便在分裂的宗教领域内保持社会和政治合法性。形象崇拜的具体化经历可以塑造信徒的认知感知和道德倾向,这些信徒部分地,批判性地和个人地,扮演着他们自己的宗教信仰。最后,这些圣像的传播似乎表明,Bektashiyya推动了宗教虔诚的市场化和公共伊斯兰教的浮出水面,以便重新谈判阿尔巴尼亚社会中的权力关系。
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