Review of Chester Brown, Mary Wept Over the Feet of Jesus, New York, Drawn & Quarterly, 2016

A. Fox
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引用次数: 2

Abstract

Chester Brown’s graphic novel Mary Wept Over the Feet of Jesus reinterprets 10 different biblical stories, followed by an afterword and extensive notes. Brown argues Jesus supported prostitutes and advocated against blind obedience to God. While he references various biblical scholars in his notes--most notably Jane Schaberg, Yoram Hazony, and John Dominic Crossan--Brown is not formally trained as a biblical scholar. Indeed, this book might better stand in for a short novel or the Sunday comics than for a scholarly monograph. (But, who doesn’t enjoy reading the Sunday comics?) In this review, rather than lamenting or detailing Brown’s lack of scholarly training, I will attempt to bracket some of these concerns and assess Mary Wept on its many merits. Brown’s background as a graphic novelist with a keen interest in Christianity allows him to produce a fascinating artistic work that tackles theological and social concerns regarding sex, prostitution, and obedience in early Christian history. His comics are known for their thorough notes and citations, and, happily, Mary Wept is no exception as Brown quotes a number of historians and biblical scholars in his intriguing research. Several of his reinterpretations focus on the women mentioned in Gospel of Matthew’s genealogy of Jesus—Tamar, Rahab, Ruth, Bathsheba, and Mary—in order to highlight the ways all of these women could be seen as prostitutes or as engaging in prostitute-like behaviour. (One of the book’s later vignettes depicts Matthew himself finding inspiration for how to hide the clue of Mary’s true identity as a prostitute within this genealogy) The focus on these women expands to the questioning of religious obedience and laws more broadly. This is seen particularly in Brown’s reinterpretations of Cain and Abel, the anointing of Jesus, and Jesus’s parables concerning the talents and the prodigal son. By asserting the presence of prostitutes in several biblical stories, he ultimately presents a view that could be quite liberating, not only for modern sex workers, but also for individuals who feel alienated by a perceived Christian tradition that fears sexuality and advocates strict adherence to rules and norms.
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《玛丽在耶稣脚前哭泣》,切斯特·布朗书评,纽约,绘画与季刊,2016年
切斯特·布朗的漫画小说《玛丽在耶稣的脚前哭泣》重新解释了10个不同的圣经故事,并附有后记和大量注释。布朗认为耶稣支持妓女,反对盲目服从上帝。虽然他在笔记中引用了许多圣经学者——最著名的是简·沙伯格、约拉姆·哈扎尼和约翰·多米尼克·克罗森——但布朗并没有接受过正式的圣经学者培训。的确,比起学术专著,这本书更适合作为短篇小说或周日漫画的替代品。(但是,谁不喜欢看周日的漫画呢?)在这篇评论中,我不会哀叹或详述布朗缺乏学术训练的细节,而是试图将这些担忧纳入其中,并对《玛丽哭泣》的诸多优点进行评估。布朗的背景是一位对基督教有着浓厚兴趣的图画小说家,这使他能够创作出一部引人入胜的艺术作品,它处理了早期基督教历史中有关性、卖淫和服从的神学和社会问题。他的漫画以其详尽的注释和引用而闻名,令人高兴的是,《玛丽哭泣》也不例外,因为布朗在他有趣的研究中引用了许多历史学家和圣经学者的观点。他对马太福音中耶稣家谱中提到的女人——他玛、喇合、路得、拔示巴和马利亚——进行了几次重新解释,以强调所有这些女人都可以被视为妓女或从事妓女般的行为。(书中后来的一个小插曲描述了马太自己找到灵感,如何在这个家谱中隐藏玛丽作为妓女的真实身份的线索)对这些妇女的关注扩展到更广泛的对宗教服从和法律的质疑。这一点在布朗对该隐和亚伯、耶稣的受膏、耶稣关于天才和浪子的比喻的重新诠释中尤为明显。通过在几个圣经故事中断言妓女的存在,他最终提出了一种相当解放的观点,不仅对现代性工作者,而且对那些被基督教传统所疏远的人来说,这种传统害怕性,提倡严格遵守规则和规范。
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