Ethnocultural basis of the formation process of the Crimean Tatar artistic culture and decorative and applied art (part two)

Ismet A. Zaatov
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Abstract

In the articlean attempt is made to trace the course of the early medieval (Old Turkic) stage of Turkization process of the plain, foothill, mountainous, southern coast population of the Crimea. And also it follows the formation of artistic culture and decorative art of the Turkic ancestors of that period among the Crimean Tatars, preceding the appearance of the Kipchaks-Polovtsy-Kuman on the peninsula, as well as those occurring parallel to this process. Among the ethnic community of the descendants of the ancient autochthons of the peninsula, the Crimean mountainous people of the Tats, the common ancestors of the southern coast and mountain Crimean Tatars, as well as the ancestors of the Greco-Tatars – Urums of ethnocultural processes, who formed an ethnocultural whole with them.
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克里米亚鞑靼艺术文化与装饰应用艺术形成过程的民族文化基础(下)
本文试图追溯克里米亚平原、山麓、山区、南部沿海人口在中世纪早期(古突厥语)突厥化过程的过程。它也遵循了那个时期突厥祖先在克里米亚鞑靼人中的艺术文化和装饰艺术的形成,在半岛上出现Kipchaks-Polovtsy-Kuman之前,以及与此过程平行的那些。在半岛古代民族后裔的民族共同体中,克里米亚山地鞑靼人是南岸和山地克里米亚鞑靼人的共同祖先,也是民族文化进程中的希腊-鞑靼人-乌鲁姆人的祖先,与他们形成了一个民族文化整体。
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期刊最新文献
Tatar poet Sagit Suncheley and Crimea in the early 1920s Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three) Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve Republican Crimean Tatar Museum of Art: the expe­rience of creation (from the first person) Rehabilitation of the Crimean Khanate by Historians in a five-volumes book about the Crimean Tatars
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