The Lord’s Birth Troparion, Transylvanian Exegeses

D. Mocanu
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Abstract

"Church music of Transylvanian tradition expresses itself through the two quintessential styles, one through the voice and one through the text. The musical variants are recorded for the first time in musical notation by Dimitrie Cunțanu, in the year 1890, they also have a singed recording, which is still the today standard. The Lord’s Birth Troparion represents a good example of the music style in Transylvania. Fixed in musical notation and singed in most churches around here, this one met the most fixes and “repairs” out of them all and because of this today we have numerous versions of it. On another note, the musical double use, liturgical and ceremonial, it made it that this song to become the musical model which the church singers use when they want to sing without a noted song or book from which they are regulated. The multiple musical variants that exist nowadays demonstrate the presence of common background music, from which the ones that wrote the songs a long time ago and the today singers inspired themselves and sing like that today. The songs analyzed show us the value of the song variants ensemble, which together mark a singing style in the local zone. Keywords: troparion (hymn), The Lord’s Birth (song used in church), Dimitrie Cunțanu (song writer) "
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《主的诞生》,特兰西瓦尼亚解经家
“特兰西瓦尼亚传统的教会音乐通过两种典型的风格来表达自己,一种通过声音,一种通过文本。音乐变体由Dimitrie Cunțanu首次以乐谱记录,在1890年,它们也有一个歌唱录音,这仍然是今天的标准。主的诞生Troparion是特兰西瓦尼亚音乐风格的一个很好的例子。这首歌被固定在乐谱上,并在附近的大多数教堂里演唱,这首歌在所有这些歌曲中得到了最多的修复和“修复”,因此今天我们有很多版本。另一方面,音乐的双重用途,礼拜仪式和仪式,这使得这首歌成为教堂歌手的音乐模式当他们想要唱歌时,没有一首著名的歌曲或一本书来规范他们。如今存在的多种音乐变体表明了共同背景音乐的存在,很久以前写歌的人和今天的歌手都从这些背景音乐中获得灵感,并像今天那样唱歌。分析的歌曲向我们展示了歌曲变体合奏的价值,它们共同标志着当地的一种演唱风格。关键词:troparion(赞美诗),The Lord 's Birth(教堂用歌曲),Dimitrie Cunțanu(词作者)
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