Interpretative Trends of Beethoven’s Ornamentation

Mihaela Itigan, Stela Drăgulin
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Abstract

"Outstanding representative of the classical music composed in the transition period from XVIIIth to XIXth centuries, Ludwig van Beethoven remains memorable in the history of music through the strength, audacity, and remarkable rhetoric of his musical discourse. With the mastery of a demiurge, he coalesces in the texture of his thematic ideas’ heroic, pathetic or pastoral configurations, making the most of the technical-expressive possibilities of the epoch’s instruments into a authentic instrumental-interpretative manner. Advocate of a prevailingly monumental interpretation, Beethoven will perfect his instrumental style through authentic details which are the subject of the varied attack modes, of ornamentation, articulation, pedaling, etc., which are the personalized elements of a challenging technique. Approaching the aspect of Beethoven’s ornamentation, the present article will bring into focus the identification of the dominant ornamental components and their treatment from an interpretative viewpoint with emphasis on the authenticity of the artistic representation. Keywords: Art & Music, piano, Beethoven’s language, ornamentation, interpretation, authenticity"
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贝多芬装饰的解读趋势
路德维希·凡·贝多芬是18世纪到19世纪过渡时期古典音乐的杰出代表,他的音乐话语的力量、大胆和非凡的修辞使他在音乐史上留下了深刻的印象。凭借对造物主的掌握,他在主题思想的纹理中融合了英雄、悲情或田园的配置,使时代乐器的技术表达可能性最大化,成为一种真正的乐器解释方式。贝多芬提倡一种普遍的不朽的诠释,他将通过真实的细节来完善他的器乐风格,这些细节是各种攻击模式,装饰,发音,踏板等的主题,这是一种具有挑战性的技术的个性化元素。接近贝多芬的装饰方面,本文将从解释性的角度关注主要装饰成分的识别及其处理,强调艺术表现的真实性。关键词:艺术与音乐,钢琴,贝多芬的语言,装饰,诠释,真实性
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