Exploring Chinese Cultural Identity in the Liang Zhu Violin Concerto: An Intercultural Perspective on the Adaptation of Traditional Elements in Western Classical Music Language

M. Suciu, Stela Drăgulin
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Abstract

"This article examines the phenomenon of interculturality through the lens of the Liang Zhu Concerto for Violin and Orchestra by He Zhanhao and Chen Gang. Interculturality is no longer merely a means of elevating the axiological value of a given context but has become a necessity for authenticating contemporary discourse. The role of interculturality in shaping the expression of creative intentions is amplified, as it attenuates divergences determined by the incongruity of individuals’ backgrounds by comprehensively observing the uniqueness of foreign elements from a familiarity-based perspective. The Liang Zhu Violin Concerto exemplifies the adaptation of East Asian culture to the context of the Western language and means of expression while preserving its Chinese cultural identity. This concerto has significant value and desirability for consumption due to the proportion of originality and familiarity which it upholds and determines its overall appeal. Ultimately, this article aims to explore how the Liang Zhu Violin Concerto achieves originality at a global level while preserving its Chinese cultural identity. Keywords: Interculturality, Liang Zhu, Identity, Imitation."
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梁柱小提琴协奏曲中的中国文化认同探析:西方古典音乐语言中传统元素改编的跨文化视角
本文以何占豪、陈刚的《梁柱小提琴与管弦协奏曲》为例,考察了跨文化现象。文化间性不再仅仅是一种提升特定语境价值论价值的手段,而是成为验证当代话语的必要条件。跨文化在塑造创作意图表达方面的作用被放大了,因为它通过从熟悉度的角度全面观察外国元素的独特性,减弱了由个人背景的不协调所决定的分歧。梁柱小提琴协奏曲体现了东亚文化对西方语言和表达方式的适应,同时保留了中国文化的特征。这首协奏曲具有重要的价值和可取性,因为它所坚持的原创性和熟悉性的比例决定了它的整体吸引力。最后,本文旨在探讨《梁祝小提琴协奏曲》如何在保持其中国文化特征的同时,在全球范围内实现原创性。关键词:跨文化,梁柱,认同,模仿
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