PHІLOSOPHІCAL AND CULTURAL ASPECTS OF ARTІSTІC ІNTERPRETATІON

T. Andrushchenko, B. Siuta, A. Savchuk
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引用次数: 0

Abstract

The artistic image is a complex multi-layered entity. It begins with the artist’s idea, which acts as a kind of sketch for the future image. Technical skills and mastery, the artist’s spiritual powers are aimed at realising this idea, but sometimes the idea and its realisation in the material are very far away. An artistic image is an image of the being of an artistic work, a way of thinking in art. In the aesthetic sense, the artistic image is an integral organism in which there is nothing accidental. Therefore, the artistic image is neither an object nor a thought, but a process, not completely concrete in its immersion in the sensual element. The specificity of the cognitive side of the artistic image lies in the fact that in the process of its perception there is a direct vision of truth which does not rely on evidence, there is a diffusion of the artistic and real world.
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PhІlosophІcal和artІstІc ІnterpretatІon的文化方面
艺术形象是一个复杂的多层次实体。它从艺术家的想法开始,作为未来图像的一种草图。技术技巧和精通,艺术家的精神力量旨在实现这种想法,但有时这种想法及其在材料中的实现是非常遥远的。艺术形象是艺术作品的存在形象,是一种艺术思维方式。在美学意义上,艺术形象是一个完整的有机体,其中没有任何偶然。因此,艺术形象既不是一个对象,也不是一个思想,而是一个过程,并不是完全具体地沉浸在感官元素中。艺术形象认知方面的特殊性在于,在它的感知过程中,有一种不依赖于证据的对真理的直接视觉,有一种艺术与现实世界的扩散。
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FROM HIPPOCRATES’ ETHICS TO V. R. POTTER’S GLOBAL BIOETHICS: EDUCATIONAL ASPECTS EDUCATIONAL MOBILITY AS AN IMPLEMENTATION OF THE “WORLD – MAN” PROJECT IN THE CONTEXT OF THE FLOODING PRESENT COMMUNICATIVE PRACTICES OF THE 19TH CENTURY, OR SOMETHING ABOUT THEIR BENEFITS AND HARMS FOR THE POST-INDUSTRIAL ERA DIGITAL RIGHTS AS AN EXPRESSION OF DIGITAL HUMAN ATTRIBUTES: A SOCIO-PHILOSOPHICAL EDUCATION THE EXTERMINATION THE SYMBOLS OF IDENTITY AS THE DESTRACTION OF THE HUMAN PERSONALITY
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