Music and Transcendence: Sufi Popular Performances in East Africa

IF 0.2 4区 哲学 0 RELIGION TEMENOS Pub Date : 2012-10-10 DOI:10.33356/TEMENOS.6945
Annemette Kirkegaard
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引用次数: 3

Abstract

The article discusses transcendence in music in relation to popular Sufi performances in East Africa, drawing on specific cases from Zanzibar. Based on fieldwork, it examines ways in which music and movement in a structured event or performance can affect the consciousness. This phenomenon is discussed in close connection to its increasing presence in popular music festivals. The article also addresses the latent conflict between the performative Sufi orders of Islamic faith and the more conservative and increasingly silent Muslims.
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音乐与超越:东非苏菲派的流行表演
本文以桑给巴尔的具体案例,探讨与东非苏菲派流行表演有关的音乐超越。在实地考察的基础上,它考察了在一个结构化的事件或表演中,音乐和动作如何影响意识。这一现象与它在流行音乐节中越来越多的出现密切相关。这篇文章还谈到了伊斯兰信仰的表演派苏菲派与更保守、越来越沉默的穆斯林之间潜在的冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
TEMENOS
TEMENOS RELIGION-
CiteScore
1.10
自引率
11.10%
发文量
10
审稿时长
26 weeks
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