{"title":"Representing Rajasthani roots: Indian Gypsy identity and origins in documentary films","authors":"Ayla Joncheere, I. Vandevelde","doi":"10.3828/RS.2016.9","DOIUrl":null,"url":null,"abstract":"Abstract: Over the past three decades, a series of documentary films featuring performing artists from Rajasthan have been produced. Extending the scholarly notion that the Roma historically migrated from India, these documentaries often portray present-day Rajasthani communities as descendants of Roma ancestors in India, and therefore as ‘Indian Gypsies’. These ‘realistic’ films have greatly influenced public perceptions on Gypsy cultural representations and express identity politics of Gypsy unity, but have hardly been studied so far. To gain insight into both the portrayal of Rajasthani artists as Gypsies and the representation of the Indian background of the Roma, this article presents the results of a contextualized content analysis of the films, complemented by ethnographic research. It shows that the image of the Indian Gypsy is grounded in the discursive interplay between Roma politics, commercial music industries and self-exoticizing marketing by Rajasthani artists.","PeriodicalId":52533,"journal":{"name":"Romani Studies","volume":"26 1","pages":"151 - 173"},"PeriodicalIF":0.2000,"publicationDate":"2016-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/RS.2016.9","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romani Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.3828/RS.2016.9","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 3
Abstract
Abstract: Over the past three decades, a series of documentary films featuring performing artists from Rajasthan have been produced. Extending the scholarly notion that the Roma historically migrated from India, these documentaries often portray present-day Rajasthani communities as descendants of Roma ancestors in India, and therefore as ‘Indian Gypsies’. These ‘realistic’ films have greatly influenced public perceptions on Gypsy cultural representations and express identity politics of Gypsy unity, but have hardly been studied so far. To gain insight into both the portrayal of Rajasthani artists as Gypsies and the representation of the Indian background of the Roma, this article presents the results of a contextualized content analysis of the films, complemented by ethnographic research. It shows that the image of the Indian Gypsy is grounded in the discursive interplay between Roma politics, commercial music industries and self-exoticizing marketing by Rajasthani artists.
期刊介绍:
Founded in 1888, the Journal of the Gypsy Lore Society was published in four series up to 1982. In 2000, the journal became Romani Studies. On behalf of the Gypsy Lore Society, Romani Studies features articles on many different communities which, regardless of their origins and self-appellations in various languages, have been referred to in English as Gypsies. These communities include the descendants of migrants from the Indian subcontinent which have been considered as falling into three large subdivisions, Dom, Lom, and Rom. The field has also included communities of other origins which practice, or in the past have practiced, a specific type of service nomadism. The journal publishes articles in history, anthropology, ethnography, sociology, linguistics, art, literature, folklore and music, as well as reviews of books and audiovisual materials.