{"title":"Narrativas/Máquinas performáticas: um diálogo entre literatura e performance","authors":"Daniel Almeida Machado, A. Guida","doi":"10.5007/2176-8552.2020.E73656","DOIUrl":null,"url":null,"abstract":"For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).","PeriodicalId":31415,"journal":{"name":"Outra Travessia","volume":"2 1","pages":"7-26"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Outra Travessia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5007/2176-8552.2020.E73656","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).