L'esperienza dell'arte nel museo. Note psicologiche

G. Bartoli, S. Mastandrea
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引用次数: 1

Abstract

This paper aims to propose both a theoretical discussion on the dynamics of the enjoyment of art museums in accordance with a psychological approach, and a brief illustration of the empirical research conducted. The theoretical discussion takes into account in particular the studies of the Gestalt psychology in the field of visual perception, and the contributions of psychology that deals with aesthetic experience. The empirical studies highlight the impact of several factors related to the enjoyment of the museum’s collections, in particular, the typology of art museums visited (ancient art/modern and contemporary art) and some personality traits (openness to experience, sensation seeking). Results show that ancient art museums visitors have an approach to the visit mainly aimed to the cultural enrichment, while visitors to the modern and contemporary art museums are mostly inclined to conduct an affective experience, which includes emotions articulated along the positive-negative dimension as interest, amazement, excitement and anxiety. Moreover, modern and contemporary art museum visitors have higher values in the personality trait sensation seeking, compared to ancient art museum visitors. Applied implications of the results are also analyzed.
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博物馆的艺术体验。说明心理
本文旨在根据心理学方法对艺术博物馆享受的动态进行理论讨论,并简要说明所进行的实证研究。理论讨论特别考虑到格式塔心理学在视觉感知领域的研究,以及处理审美经验的心理学的贡献。实证研究强调了与博物馆藏品享受相关的几个因素的影响,特别是参观的艺术博物馆的类型学(古代艺术/现代和当代艺术)和一些人格特征(开放的经验,寻求感觉)。结果表明,古代美术馆游客的参观方式主要以文化丰富为目的,而现当代美术馆游客的参观方式主要倾向于情感体验,包括兴趣、惊奇、兴奋和焦虑等正负维度上的情感表达。此外,现当代美术馆游客在人格特质感觉寻求方面的价值高于古代美术馆游客。并对研究结果的应用意义进行了分析。
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来源期刊
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1
审稿时长
10 weeks
期刊最新文献
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