Rok 1918 na teatralnej prowincji. Kielce

Paulina Drozdowska
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Abstract

The article describes cultural life in Kielce at the threshold of independence. The local theatre played a prominent role at that time, since it was the only professional scene on which the Regency Council’s manifest was read. After this event the institution had its name changed into the Polish Theatre. The directors in those days were struggling with financial and logistical problems, lack of permanent crew, and even the outbreak of typhus. The history of the theater is described in the context of provincial, poor and clerical town, in which the intelligentsia accounted for a small percentage of the population. The audience wanted some entertainment both from the theatre and the expanding world of the cinema. Therefore, the creators were trying to meet those expectations through productions based on comedy and operetta. The local amateur theatre was the only group involved in politics, staging several patriotic plays. The conclusions of the article are based on the materials published in ”Gazeta Kielecka”, a local newspaper of that time, and collections available in the branch of National Archive in Kielce (unfortunately, no documents have been preserved in Żeromski Theater), as well as the research done by regional historians. Year 1918 turned out to be just a glimpse in the long process of changing the mentality of local community. It was just the first step to rebuild its national identity.
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这篇文章描述了独立初期凯尔采的文化生活。当地的剧院在当时扮演着重要的角色,因为它是唯一一个专业的场景,摄政委员会的清单被阅读。在这次活动之后,该机构更名为波兰剧院。当时的导演们面临着资金和后勤问题,缺乏固定的工作人员,甚至还有斑疹伤寒的爆发。戏剧的历史是在一个地方的、贫穷的、神职人员的城镇背景下描述的,在这个城镇中,知识分子占人口的比例很小。观众希望从剧院和不断扩大的电影世界中获得一些娱乐。因此,创作者试图通过基于喜剧和轻歌剧的制作来满足这些期望。当地的业余剧院是唯一参与政治的团体,上演了几出爱国主义戏剧。这篇文章的结论是基于当时当地报纸“Gazeta Kielecka”上发表的材料、Kielce国家档案馆分馆的馆藏(不幸的是,Żeromski剧院没有保存任何文件)以及地区历史学家所做的研究。事实证明,1918年只是改变当地社区心态的漫长过程中的一个缩影。这只是重建国家认同的第一步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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